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AMEGLIO Merio (1897 / 1970 )
Place of the Madeleine animated .
Oil on canvas signed lower left .
25,6 / 36,2 in
Original frame .
Literature : Bénézit .
The PAINTERS of PARIS
Paris is one of the cities to the world which the most attracted the painters. But the nature and the reasons of this interest evolved with the history of the city. Paris is a mosaic of districts. The painters represented the most attractive sites and the prestigious monuments by appropriating places to feed their imagination - of the Island of the City in the Arc de Triomphe - of the place Clichy to the Opera - of the Latin Quarter in the Tuileries - Big Boulevards in Montmartre or in banks of the Seine - The XIXth century profoundly modified the aspect of the city and the realistic painter will attempt to represent the people in their everyday life.
Under Napoleon III, the modernization of the capital, managed by the baron Haussmann, with the drilling of big avenues, the construction of new districts as around the Monceau Park or the Etoile place, monuments as the Opera or the Church St-Augustin, the development of Wood of Boulogne and Vincennes - So many subjects as the painters will want to fix to the painting .
After the events of 1870, Paris releases itself and lives a period of pleasures of joy of living. Numerous painters, French painters and Foreigners, illustrated with happiness this society of " The Belle Epoque " - Among the most famous: Auguste Renoir and " The Ball of the Mill of the Pancake " Claude Monet and " train station St-Lazare " - Raoul Dufy in the "Palais Royal" - Edouard Manet " The Music in the Tuileries " - Henri of Toulouse Lautrec " In the Moulin Rouge " Some painters became " the specialists of Paris " representing the animation of streets and gardens, flower markets of the city or along the Church of Madeleine, " booksellers" on banks of the Seine with Notre-Dame... Everything is pretext to crunch on the deep this hectic and worldly life all the day long or of the night, and all the year round. Such: Jean Béraud and his elegant women - Edouard Cortès -
Georges Stein - Eugène Galien Laloue - and many of the others maybe less famous but so talented. |
| | |  | | CLEMENT SERVEAU ( 1886 / 1972 )
Paris , Notre Dame and the Seine in 1948 .
Oil on canvas signed lower right and dated (19)48
25,7 / 19,7 in
Original frame
Musées : Le Havre , Langres , Lille , Nantes , Paris ( Musée d'art moderne de la ville , Musée Carnavalet ) , Rouen .
CLEMENT-SERVEAU
Born in 1888 / Death in 1972.
Painter, engraver, figuratif artist, neo-Cubist, abstracted
Pupil at the school of the Decorative arts, then at the School of Fine Arts, CLEMENT-SERVEAU begins in 1905 in the Show of the Independents, exposes then to the Show of the French Artists and to the Autumn show. This eclecticism meets in its work. CLEMENT-SERVEAU practises by 1930 / 1940 the neo-cubism, and experiment simultaneously the abstraction, mixing the two in well built and colored compositions. CLEMENT-SERVEAU realizes several decorations among which that of the detached house of the tourism in the Exhibition of 1937, and engraves various bank notes for France and for certain foreign countries. CLEMENT-SERVEAU also illustrated numerous books of Colette, Anatole France, Georges Duhamel...
CLEMENT-SERVEAU is represented in several museums Français and foreign.
The PAINTERS of PARIS
Paris is one of the cities to the world which the most attracted the painters. But the nature and the reasons of this interest evolved with the history of the city. Paris is a mosaic of districts. The painters represented the most attractive sites and the prestigious monuments by appropriating places to feed their imagination - of the Island of the City in the Arc de Triomphe - of the place Clichy to the Opera - of the Latin Quarter in the Tuileries - Big Boulevards in Montmartre or in banks of the Seine - The XIXth century profoundly modified the aspect of the city and the realistic painter will attempt to represent the people in their everyday life.
Under Napoleon III, the modernization of the capital, managed by the baron Haussmann, with the drilling of big avenues, the construction of new districts as around the Monceau Park or the Etoile place, monuments as the Opera or the Church St-Augustin, the development of Wood of Boulogne and Vincennes - So many subjects as the painters will want to fix to the painting .
After the events of 1870, Paris releases itself and lives a period of pleasures of joy of living. Numerous painters, French painters and Foreigners, illustrated with happiness this society of " The Belle Epoque " - Among the most famous: Auguste Renoir and " The Ball of the Mill of the Pancake " Claude Monet and " train station St-Lazare " - Raoul Dufy in the "Palais Royal" - Edouard Manet " The Music in the Tuileries " - Henri of Toulouse Lautrec " In the Moulin Rouge " Some painters became " the specialists of Paris " representing the animation of streets and gardens, flower markets of the city or along the Church of Madeleine, " booksellers" on banks of the Seine with Notre-Dame... Everything is pretext to crunch on the deep this hectic and worldly life all the day long or of the night, and all the year round. Such: Jean Béraud and his elegant women - Edouard Cortès -
Georges Stein - Eugène Galien Laloue - and many of the others maybe less famous but so talented. |
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DYF Marcel ( 1899 / 1985 )
The village by the river .
Oil on canvas signed lower right .
19,7 / 24 in
Original frame .
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Pierre Cabanne et Gérald Schurr .
French school 20Th century - French landscape 20Th century - View of France - French village - Post-impressionnist French painting 20Th century - French picture 20Th century - Fine Painting gallery - Painting French landscapes - Parisian gallery - Oil painting - French antiques - Graphic art - Painting XXTh century - Famous French painter - Landscape oil painting gallery - Painting by Marcel Dyf - Specialist European and French paintings 19Th and 20Th century - Art paintings - |
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A small rosewood chest of drawers Louis XVI style .
Fluted amounts .
Top original Carrara white marble in galerie .
Original key and locks .
2 drawers .
Work of 19Th century
24,4 / 13,4 / 31,5 in |
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PHILIPPE PAUL ( XIX / XX )
The fisherman's return .
Oil on canvas signed lower right
20,1 / 25,7 in
Original frame
Literature : Benezit .
Seascape - French school 20Th - French painting 20Th century - View of France - Painting beginning of 20Th - View of Bretagne - Fine Painting gallery - Painting French landscapes - Seascape painting - Parisian gallery - Oil painting - French antiques - Waterscape - Graphic art - Painting beginning of XXTh century - Famous French painter - Landscape oil painting gallery - Art paintings - Painting by Paul Philippe - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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A French mahogany desk Empire period .
3 drawers in belt .
70,9 / 31,5 / 30,7 in |
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MAX BOUVET ( XIX è )
Seascape in Bretagne .
Oil on canvas signed lower right
Original frame
Literature : Benezit .
Musées : Reims
THE PAINTING IN THE XIXth CENTURY
Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.
The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.
From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .
From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.
Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" .
" BARBIZON SCHOOL "
Originally, it is only some nature lovers,fleeing the academicism of their olders, that meet around Barbizon, small village of coalmen and farmers, nested in border of the forest of Fontainebleau and the plain of Chailly-en-Bière. These young romantic rebels leave through wood and fields with their easel, their box of painting and their campstool to fix to the painting a priviligié moment of the nature. They find refuge in the inn Ganne which will become very fast their meeting place. These artists, often can fortunate, will make for it more or less prolonged stays. Then, some will buy a house there and will settle down there definitively.
Let us quote some of these artists who will become masters:
- Although he did not really stay at Barbizon, we can say that Georges Michel ( 1763-1843 ) makes pioneer's figure of the naturalism. He celebrates, in every work, a simple and moving admiration of the beauty of the nature, a pre-romantic feeling of the strengths: thunderstorm, wind, sun - That reveal him the motive and the structures of places with the game of the shadows and the lights.
- Among the first landscape painters to frequent Barbizon and his neighborhood, we find Paul HUET ( 1803-1869 ), sensitive to the brightness of the light tones of which he tries hard to divide, to increase better his effects. Friend of Delacroix, he counts among his admirers Victor Hugo.
- Théodore ROUSSEAU ( 1812-1867 ) - It will be considered as the most striking personnalié of the group of Barbizon the leader of which he will become. The forest is for him a delight. Choosing an oak, he made the portrait as we would make that of the hero or emperor Rousseau settles down definitively to Barbizon in 1847-
- Narcisse DIAZ de la PENA ( 1808-1876 ), bound by a real friendship to Th. Rousseau, is going to assert itself as fascinated landscape painter, measuring for thirty years the forest of Fontainebleau.
- Although having made for Barbizon only more or less prolonged stays, Jules DUPRE ( 1811-1889 ) is one of pioneers of these "Barbizonniers" having adopted leus favourite themes of the rustic landscapes with the small character under trees lining a puddle or a river where drink animals, represented under diverse lightings. - his brother, Léon Victor DUPRE ( 1816-1879 ) whom he introduced, will follow him in the Isle-Adam, in the valley of the Oise, where they settle.
- " Master of the Landscape " Camille COROT ( 1796-1875 ) made frequent stays among the painters of Barbizon. Its independence, his love of the nature and the light moves closer to him to Rousseau and his friends, but without that we can classify him among the idealists of Barbizon. He is situated, at once, in the classic tradition from which he inherited, and in the realistic perspectives of the school of Barbizon. The main part, he said, it is not to lose the first impression which touched us.
- Charles François DAUBIGNY ( 1817-1878 ) frequents Barbizon from 1843-but he will be especially the painter of rivers, ponds, so widening the field of exploration of the nature and the light. He establishes the essential link between the painters of Barbizon and the Impressionists.
The painters are many, especially from 1840, to join these great masters. They leave together dan the forest or in search of a new landscape. These young artists are inspired by their sound lessons and draw the best of their talent in the direct vision of the surroundings of Barbizon. And all meet in the evening in the inn Ganne, become famous, to exchange, cheerfully, their impressions .
Among the landscape painters, we can quote, among others:
Eugène LAVIEILLE ( 1820-1889 ) - Emmanuel LANSYER ( 1835-1893 ) - Théodore ALIGNY ( 1798-1871 ) - Auguste ANASTASI ( 1820-1889 ) - Antoine CHINTREUIL ( 1816-1873 ) - Achille OUDINOT ( 1820-1891 ) - Henri HARPIGNIES ( 1819-1916 ) - FRANCAIS Louis ( 1814-1897 ) - Emile Charles LAMBINET ( 1815-1877 ) - Léon RICHET ( 1847-1907 ) - Hippolyte Camille DELPY ( 1842-1910 ) - Louis CABIE ( 1853-1939 ) - François ORTMANS ( 1827-1884 ) - Paul Désiré TROUILLEBERT ( 1829-1900 ) well that not having stayed at Barbizon, can be connected with this school. His composition quite in niceties, its effects of rain morning or on the edge of a river, its delicate skies inevitably remind the paintings of Corot .
From the romantic vision of the nature, is outlined new common one verse more realism - the social expresses himself in the painting answering the awakening of a sensibility felt in the George Sand's literary work or Lamartine.
- Jean-François MILLET ( 1814-1875 ), arrived at Barbizon, with his family, in 1849, will live there twenty seven years up to his death - and will become there one of the main leader. Of peasant origin, Millet adds to its passion of the nature, the vision of the effort of the men. In the decoration of the plain of Chailly, he likes making relive these feeder works of the man the size, with the harvesters, the gleaners or the shepherds of which he tries to glorify.
J.F. MILLET exercises a profound influence on the second generation of the painters of Barbizon, among whom, the "animal painters":
- Charles JACQUE ( 1813-1894 ), arrived together with Millet, installs a breeding of poultry to observe them better. He will become the big specialist of sheepfolds and farmyards-
- Jules VEYRASSAT ( 1828-1893 ) whose taste for horses in the work will make its celebrity - baptized Ferdinand CHAIGNEAU ( 1830-1906 ) " Raphael of sheeps " - Constant TROYON ( 1810-1865 ) - Louis BARYE ( 1794-1875 ) - Rosa BONHEUR ( 1822-1899 ) - Alexandre DEFAUX ( 1826-1900 ) - Jacques Raymond BRASCASSAT ( 1804-1867 ) - Ernest Gaston LAFENESTRE ( 1841-1877 ) - And many the others...
" BARBIZON SCHOOL" will know his real consecration during the World exhibition of 1867 - but already the other painters come to Barbizon to feed on works and on advice of their oldest. They name Monet, Renoir, Sisley, Pissarro, and later, Cézanne or Seurat - The " IMPRESSIONISM "found its yeast-
French school 19Th century - Marine - View of France - View of La Bretagne - Fine Painting gallery - Painting French landscapes - Seascape painting - Parisian gallery - Oil painting - French antiques - Waterscape - Graphic art - Painting XIXTh century - Famous French painter - Landscape oil painting gallery - Art paintings - Painting by Max Bouvet - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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Venitian Lamp 1950 period
41,7 / 12,2 in
(Possibility of pair) |
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A fine wooden Provencal console paints louis XV style in sycamore .
Openwork belt .
Provencal work early 20 Th century
32,7 / 13,8 / 31,5 in |
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Chiffonier end 18Th century or beginning 19Th century in veneer of flecked mahogany .
Slender feet .
6 drawers .
Top of grey St Anne marble .
58,2 / 34,2 / 15 in |
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Console lacquered grey sculptered wooden 19Th century .
Belt decorated with a frieze of cannules resting on feet added by corinthiens capitals .
Top painted in the imitation of the marble .
38,2 / 45,3 / 22 in |
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STEIN GEORGES ( 1870 / 1955 )
Bunch of roses in a vase
Oil on canvas signed lower left
24 / 19,7 in
Original frame
Musées : Paris ( Musée Carnavalet )
Georges STEIN
Born in 1870 - Death in 1955 - Frenchman
Painter of scenes of genre, animated landscapes, landscapes, townscapes - painter in the gouache - watercolorist - draftsman -
Contemporary of Cortès, Béraud, Galien Laloue, Georges STEIN painted townscapes, in the oil or in the watercolor: London, Monte Carlo, and especially the typical Paris - Georges STEIN so realized numerous views of the flower market of Madeleine, that of the Island of the City , as well as the gardens of the Luxembourg, the Opera, the Moulin Rouge, Notre-Dame, Folies Bergère, the Big Boulevards of Paris , etc.
Painting beginning of 20th century - French flowers - French painting of bunch of flowers 20Th century - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Famous French painter -
Bunch of flowers - French school 20Th century - Graphic art - Art paintings - Painting by Georges Stein - Specialist European and French paintings XIXTh and XXTh century - Bouquet of roses in a vase - French gallery - |
| | |  | | MICHEL HENRY ( 1928 / XXè )
The violon of Grancino .
Oil on canvas signed lower right .
28,8 / 36,2 in
Original frame with artist 's initials
Literature : Benezit .
Michel HENRY
Born to Langres in 1928 Painter of landscapes, still lives
Michel HENRY made famous, especially, by his bunches of flowers That he exhibited regularly in Paris and Tokyo where he is very appreciated -
Among his admirers and faithful customers, we count Mr. and Mrs Chirac, Mr. and Mrs Barre, Alain Poher, P. Bérégovoy, Ph. Douste-Blazy, Hervé Bazin, Countess Pierre of Beaulieu , Princess Bernadotte of Sweden - J.P. Belmondo, Line Renaud, Nicoletta, Jeanne Moreau, etc. …
Flowers - French school 20Th century - French flowers - French painting 20Th century of bunch of flowers - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Graphic art - Famous French painter - Paintings by Michel Henry - Specialist European and French paintings XIXTh and XXTh century - Musical paintings - Art paintings - French gallery - |
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COSSON Marcel (1878 / 1956 )
The choice of elegant woman at her trader of art .
Pastel signed lower left .
17,3 / 12,2 in
Original frame
Literature : Bénézit .
French school beginning of 20Th century - Pastel - Portrait de femme - Fine Painting gallery - Parisian gallery - Pastel painting - French antiques - Graphic art - Famous French painter - Watercolor , gouache , pastel painting -
Art paintings - Painting by Marcel Cosson - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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DIAZ DE LA PENA NARCISSE VIRGILE ( 1807 / 1876 )
The fagotiere in the puddle to the fairies in forest of Barbizon .
Oil on panel signed lower left
6,3 / 8,7 in
Original Frame
Certificat with Mr André Pacciti
Musées : Amsterdam , Bayonne , Berlin , Beziers , Bordeaux , Chantilly , Clamecy , Glasgow , Grenoble , La Haye , Helsinki , Liège , Lille , Londres , Louviers , Montpellier , Montreal , Moscou , Mulhouse , Nancy , Nantes , Paris ( Musée du Louvre ) , Le Puy en Velay , Reims , La Rochelle , Rouen , Stockholm , Toulouse .
NARCISSE VIRGILE DIAZ DE LA PEÑA was born to Spanish emigrant parents on August 20, 1808, in Bordeaux.
He survived the loss of a leg in a childhood accident and further suffered the death of his parents at age fifteen.
Diaz’s artistic training was as a porcelain painter. He learned the fine skill of porcelain painting in the Dupre’s
factory and it was Jules Dupre who eventually introduced him to Barbizon. He studied briefly with the painter
Souchon. His early paintings catered to the popular taste for 18th century style Rococo and resulted in financial
success for the young artist. Fetes galantes were favorite subjects and the women depicted in Diaz’s canvases
were often cloaked in exotic Turkish garb, reflecting the artist’s admiration for Delacroix and his orientalist
followers. Indeed Diaz’s first Salon entry in 1831, was titled Scene Amour.
Diaz first visited Barbizon in 1835 and it was in 1837 that he met Rousseau. He learned to use color while
painting alongside Rousseau whose vibrant, iridescent greens were unmatched. Unlike Rousseau who rarely
placed figures in his paintings, Diaz most always placed a peasant woman on his forest paths. The influence of
Rousseau could be seen in Diaz’s Salon entry of that year depicting a view of Fontainebleau Forest. Through the
1840s his figure paintings continued to be the major part of his work and are thought to have influenced the
female subjects of Corot, Renoir and certainly Monticelli.
Although the best known of his works are the forest interiors inspired by Rousseau; there are many exceptional
paintings outside that theme such as “Young Page with Hounds” which is inspirational in the use of pure color.
This painting would have surely been a commissioned work and the figures have an almost ‘classical’ quality in
their poise and clarity. In the background, however, we see a wonderful example of his expertise with forest
interiors. The merger of the classical figures with the lessons of Rousseau and Barbizon are what makes this
painting a truly exceptional Diaz was one of the most collected of the original Barbizon artists.
THE PAINTING IN THE XIXth CENTURY
Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.
The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.
From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .
From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.
Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" .
" BARBIZON SCHOOL "
Originally, it is only some nature lovers,fleeing the academicism of their olders, that meet around Barbizon, small village of coalmen and farmers, nested in border of the forest of Fontainebleau and the plain of Chailly-en-Bière. These young romantic rebels leave through wood and fields with their easel, their box of painting and their campstool to fix to the painting a priviligié moment of the nature. They find refuge in the inn Ganne which will become very fast their meeting place. These artists, often can fortunate, will make for it more or less prolonged stays. Then, some will buy a house there and will settle down there definitively.
Let us quote some of these artists who will become masters:
- Although he did not really stay at Barbizon, we can say that Georges Michel ( 1763-1843 ) makes pioneer's figure of the naturalism. He celebrates, in every work, a simple and moving admiration of the beauty of the nature, a pre-romantic feeling of the strengths: thunderstorm, wind, sun - That reveal him the motive and the structures of places with the game of the shadows and the lights.
- Among the first landscape painters to frequent Barbizon and his neighborhood, we find Paul HUET ( 1803-1869 ), sensitive to the brightness of the light tones of which he tries hard to divide, to increase better his effects. Friend of Delacroix, he counts among his admirers Victor Hugo.
- Théodore ROUSSEAU ( 1812-1867 ) - It will be considered as the most striking personnalié of the group of Barbizon the leader of which he will become. The forest is for him a delight. Choosing an oak, he made the portrait as we would make that of the hero or emperor Rousseau settles down definitively to Barbizon in 1847-
- Narcisse DIAZ de la PENA ( 1808-1876 ), bound by a real friendship to Th. Rousseau, is going to assert itself as fascinated landscape painter, measuring for thirty years the forest of Fontainebleau.
- Although having made for Barbizon only more or less prolonged stays, Jules DUPRE ( 1811-1889 ) is one of pioneers of these "Barbizonniers" having adopted leus favourite themes of the rustic landscapes with the small character under trees lining a puddle or a river where drink animals, represented under diverse lightings. - his brother, Léon Victor DUPRE ( 1816-1879 ) whom he introduced, will follow him in the Isle-Adam, in the valley of the Oise, where they settle.
- " Master of the Landscape " Camille COROT ( 1796-1875 ) made frequent stays among the painters of Barbizon. Its independence, his love of the nature and the light moves closer to him to Rousseau and his friends, but without that we can classify him among the idealists of Barbizon. He is situated, at once, in the classic tradition from which he inherited, and in the realistic perspectives of the school of Barbizon. The main part, he said, it is not to lose the first impression which touched us.
- Charles François DAUBIGNY ( 1817-1878 ) frequents Barbizon from 1843-but he will be especially the painter of rivers, ponds, so widening the field of exploration of the nature and the light. He establishes the essential link between the painters of Barbizon and the Impressionists.
The painters are many, especially from 1840, to join these great masters. They leave together dan the forest or in search of a new landscape. These young artists are inspired by their sound lessons and draw the best of their talent in the direct vision of the surroundings of Barbizon. And all meet in the evening in the inn Ganne, become famous, to exchange, cheerfully, their impressions .
Among the landscape painters, we can quote, among others:
Eugène LAVIEILLE ( 1820-1889 ) - Emmanuel LANSYER ( 1835-1893 ) - Théodore ALIGNY ( 1798-1871 ) - Auguste ANASTASI ( 1820-1889 ) - Antoine CHINTREUIL ( 1816-1873 ) - Achille OUDINOT ( 1820-1891 ) - Henri HARPIGNIES ( 1819-1916 ) - FRANCAIS Louis ( 1814-1897 ) - Emile Charles LAMBINET ( 1815-1877 ) - Léon RICHET ( 1847-1907 ) - Hippolyte Camille DELPY ( 1842-1910 ) - Louis CABIE ( 1853-1939 ) - François ORTMANS ( 1827-1884 ) - Paul Désiré TROUILLEBERT ( 1829-1900 ) well that not having stayed at Barbizon, can be connected with this school. His composition quite in niceties, its effects of rain morning or on the edge of a river, its delicate skies inevitably remind the paintings of Corot .
From the romantic vision of the nature, is outlined new common one verse more realism - the social expresses himself in the painting answering the awakening of a sensibility felt in the George Sand's literary work or Lamartine.
- Jean-François MILLET ( 1814-1875 ), arrived at Barbizon, with his family, in 1849, will live there twenty seven years up to his death - and will become there one of the main leader. Of peasant origin, Millet adds to its passion of the nature, the vision of the effort of the men. In the decoration of the plain of Chailly, he likes making relive these feeder works of the man the size, with the harvesters, the gleaners or the shepherds of which he tries to glorify.
J.F. MILLET exercises a profound influence on the second generation of the painters of Barbizon, among whom, the "animal painters":
- Charles JACQUE ( 1813-1894 ), arrived together with Millet, installs a breeding of poultry to observe them better. He will become the big specialist of sheepfolds and farmyards-
- Jules VEYRASSAT ( 1828-1893 ) whose taste for horses in the work will make its celebrity - baptized Ferdinand CHAIGNEAU ( 1830-1906 ) " Raphael of sheeps " - Constant TROYON ( 1810-1865 ) - Louis BARYE ( 1794-1875 ) - Rosa BONHEUR ( 1822-1899 ) - Alexandre DEFAUX ( 1826-1900 ) - Jacques Raymond BRASCASSAT ( 1804-1867 ) - Ernest Gaston LAFENESTRE ( 1841-1877 ) - And many the others...
" BARBIZON SCHOOL" will know his real consecration during the World exhibition of 1867 - but already the other painters come to Barbizon to feed on works and on advice of their oldest. They name Monet, Renoir, Sisley, Pissarro, and later, Cézanne or Seurat - The " IMPRESSIONISM "found its yeast- |
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Napoleon Empereur des Français et Roi d'Italie
Lithographie 19è
20,9 / 16,1 in
French antique dealer - Parisian antique dealer - Parisian gallery - Napoleon painting - Fine painting gallery - French antiques - Graphic art - Art paintings - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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The royal feast . Fêtes données au Roi et à la Reine par la ville de Paris , le 21 janvier 1782 à l'occasion de la naissance de Monseigneur Le Dauphin .
Chalcographie originale debut 19è siècle .
Tampon sec de la chalcographie du Louvre .
18,9 / 23,6 in
Original frame .
French antique dealer - Parisian antique dealer - Parisian gallery - Fine painting gallery - French antiques - Graphic art - Art paintings - Specialist European and French paintings XIXTh and XXTh century - |
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The masked ball . Fêtes données au Roi et à la Reine par la ville de Paris , le 23 janvier 1782 à l'occasion de la naissance de Monseigneur Le Dauphin .
Chalcographie originale début 19è siècle .
Tampon sec de la chalcographie du Louvre .
18,9 / 23,6 in
Original frame .
French antique dealer - Parisian antique dealer - Parisian gallery - Fine painting gallery - French antiques - Graphic art - Art paintings - Specialist European and French paintings 19Th and 20Th century - |
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HERVE JULES RENE ( 1887 / 1981 )
The preparation for the ceremony .
Oil on canvas signed lower right .
15 / 18,1 in
Original frame
Musées : Annecy , Calais , Casablanca , Chicago , Dijon , Langres , Luxeuil-Les-Bains , Montreal , New York , Paris , Saint-Etienne , Tourcoing , Troyes .
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - "Jules Hervé un maître enchanteur de la peinture du 20ème siècle" by Bernard Masson - "Le haut du pavé de Langres" by Gérard Gueniot - Le peintre et l'animal en France au 19ème siècle by Elisabeth Hardouin-Fugier -
Jules René HERVE
Born at Langres ( Haute Marne) in 1887 / Death at Langres in 1981 .
Painter of typical scenes,figures, portraits, landscapes.
Pupil of Fernand Cormon and Jules Adler, Jules René Hervé settles down in Paris and begins to exhibited to the Show of the French Artists in 1910, Jules René Hervé receives a silver medal in 1914 and a golden medal there in 1925.
Then Jules René Hervé shares his life between Paris and his home town the humble and picturesque events, the portraits of austere sound of which he paints, of a light, expert brush in small lively brightness on grey or ochre skillfully distributed, society in the monotonous and felted existence - But Jules René Hervé knows how to restore as well the full of life atmosphere of the Parisian life and his monuments or the ballerinas to the foyer of the Opera -
Of its finely observed compositions emanate delicate feelings - Appreciated by the French and foreign amateurs, Jules René Hervé " is devoted in his art throughout its life -
Jules René Hervé is considered as " the last one of the impressionists " |
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Napoleon's death .
Print 19Th century
24,4 / 18,9 in
Original frame
Fine Painting gallery - Parisian gallery - Napoleon painting - French antique dealer - Parisian antique dealer - Napoleon print - French antiques - Graphic art - Art paintings - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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HERVE JULES RENE ( 1887 / 1981 )
The wedding breakfast in Vosges country .
Oil on canvas signed lower left .
8,7/ 10,6 in
Original frame
Musées : Annecy , Calais , Casablanca , Chicago , Dijon , Langres , Luxeuil-Les-Bains , Montreal , New York , Paris , Saint-Etienne , Tourcoing , Troyes .
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - "Jules Hervé un maître enchanteur de la peinture du 20ème siècle" by Bernard Masson - "Le haut du pavé de Langres" by Gérard Gueniot - Le peintre et l'animal en France au 19ème siècle by Elisabeth Hardouin-Fugier -
Jules René HERVE
Born at Langres ( Haute Marne) in 1887 / Death at Langres in 1981 .
Painter of typical scenes,figures, portraits, landscapes.
Pupil of Fernand Cormon and Jules Adler, Jules René Hervé settles down in Paris and begins to exhibited to the Show of the French Artists in 1910, Jules René Hervé receives a silver medal in 1914 and a golden medal there in 1925.
Then Jules René Hervé shares his life between Paris and his home town the humble and picturesque events, the portraits of austere sound of which he paints, of a light, expert brush in small lively brightness on grey or ochre skillfully distributed, society in the monotonous and felted existence - But Jules René Hervé knows how to restore as well the full of life atmosphere of the Parisian life and his monuments or the ballerinas to the foyer of the Opera -
Of its finely observed compositions emanate delicate feelings - Appreciated by the French and foreign amateurs, Jules René Hervé " is devoted in his art throughout its life -
Jules René Hervé is considered as " the last one of the impressionists " |
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HERVE JULES RENE ( 1887 / 1981 )
The round of the factor at Langres .
Oil on canvas signed lower left .
15 / 18,1 in
Original frame
Musées : Annecy , Calais , Casablanca , Chicago , Dijon , Langres , Luxeuil-Les-Bains , Montreal , New York , Paris , Saint-Etienne , Tourcoing , Troyes .
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - "Jules Hervé un maître enchanteur de la peinture du 20ème siècle" by Bernard Masson - "Le haut du pavé de Langres" by Gérard Gueniot - Le peintre et l'animal en France au 19ème siècle by Elisabeth Hardouin-Fugier -
Jules René HERVE
Born at Langres ( Haute Marne) in 1887 / Death at Langres in 1981 .
Painter of typical scenes,figures, portraits, landscapes.
Pupil of Fernand Cormon and Jules Adler, Jules René Hervé settles down in Paris and begins to exhibited to the Show of the French Artists in 1910, Jules René Hervé receives a silver medal in 1914 and a golden medal there in 1925.
Then Jules René Hervé shares his life between Paris and his home town the humble and picturesque events, the portraits of austere sound of which he paints, of a light, expert brush in small lively brightness on grey or ochre skillfully distributed, society in the monotonous and felted existence - But Jules René Hervé knows how to restore as well the full of life atmosphere of the Parisian life and his monuments or the ballerinas to the foyer of the Opera -
Of its finely observed compositions emanate delicate feelings - Appreciated by the French and foreign amateurs, Jules René Hervé " is devoted in his art throughout its life -
Jules René Hervé is considered as " the last one of the impressionists " |
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BARILLOT LEON ( 1844 / 1929 )
Crossing the river with the cows .
Oil on canvas signed lower left
34,2 / 22,5 in
Musées : Aix en Provence , Amiens , Bourges , Cahors , Gray , Lille , Londres , Metz , Morlaix , Mulhouse , Nancy , Rouen , Toul , Paris ( Musée d'Orsay ) .
THE PAINTING IN THE XIXth CENTURY
Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.
The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.
From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .
From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.
Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" .
" BARBIZON SCHOOL "
Originally, it is only some nature lovers,fleeing the academicism of their olders, that meet around Barbizon, small village of coalmen and farmers, nested in border of the forest of Fontainebleau and the plain of Chailly-en-Bière. These young romantic rebels leave through wood and fields with their easel, their box of painting and their campstool to fix to the painting a priviligié moment of the nature. They find refuge in the inn Ganne which will become very fast their meeting place. These artists, often can fortunate, will make for it more or less prolonged stays. Then, some will buy a house there and will settle down there definitively.
Let us quote some of these artists who will become masters:
- Although he did not really stay at Barbizon, we can say that Georges Michel ( 1763-1843 ) makes pioneer's figure of the naturalism. He celebrates, in every work, a simple and moving admiration of the beauty of the nature, a pre-romantic feeling of the strengths: thunderstorm, wind, sun - That reveal him the motive and the structures of places with the game of the shadows and the lights.
- Among the first landscape painters to frequent Barbizon and his neighborhood, we find Paul HUET ( 1803-1869 ), sensitive to the brightness of the light tones of which he tries hard to divide, to increase better his effects. Friend of Delacroix, he counts among his admirers Victor Hugo.
- Théodore ROUSSEAU ( 1812-1867 ) - It will be considered as the most striking personnalié of the group of Barbizon the leader of which he will become. The forest is for him a delight. Choosing an oak, he made the portrait as we would make that of the hero or emperor Rousseau settles down definitively to Barbizon in 1847-
- Narcisse DIAZ de la PENA ( 1808-1876 ), bound by a real friendship to Th. Rousseau, is going to assert itself as fascinated landscape painter, measuring for thirty years the forest of Fontainebleau.
- Although having made for Barbizon only more or less prolonged stays, Jules DUPRE ( 1811-1889 ) is one of pioneers of these "Barbizonniers" having adopted leus favourite themes of the rustic landscapes with the small character under trees lining a puddle or a river where drink animals, represented under diverse lightings. - his brother, Léon Victor DUPRE ( 1816-1879 ) whom he introduced, will follow him in the Isle-Adam, in the valley of the Oise, where they settle.
- " Master of the Landscape " Camille COROT ( 1796-1875 ) made frequent stays among the painters of Barbizon. Its independence, his love of the nature and the light moves closer to him to Rousseau and his friends, but without that we can classify him among the idealists of Barbizon. He is situated, at once, in the classic tradition from which he inherited, and in the realistic perspectives of the school of Barbizon. The main part, he said, it is not to lose the first impression which touched us.
- Charles François DAUBIGNY ( 1817-1878 ) frequents Barbizon from 1843-but he will be especially the painter of rivers, ponds, so widening the field of exploration of the nature and the light. He establishes the essential link between the painters of Barbizon and the Impressionists.
The painters are many, especially from 1840, to join these great masters. They leave together dan the forest or in search of a new landscape. These young artists are inspired by their sound lessons and draw the best of their talent in the direct vision of the surroundings of Barbizon. And all meet in the evening in the inn Ganne, become famous, to exchange, cheerfully, their impressions .
Among the landscape painters, we can quote, among others:
Eugène LAVIEILLE ( 1820-1889 ) - Emmanuel LANSYER ( 1835-1893 ) - Théodore ALIGNY ( 1798-1871 ) - Auguste ANASTASI ( 1820-1889 ) - Antoine CHINTREUIL ( 1816-1873 ) - Achille OUDINOT ( 1820-1891 ) - Henri HARPIGNIES ( 1819-1916 ) - FRANCAIS Louis ( 1814-1897 ) - Emile Charles LAMBINET ( 1815-1877 ) - Léon RICHET ( 1847-1907 ) - Hippolyte Camille DELPY ( 1842-1910 ) - Louis CABIE ( 1853-1939 ) - François ORTMANS ( 1827-1884 ) - Paul Désiré TROUILLEBERT ( 1829-1900 ) well that not having stayed at Barbizon, can be connected with this school. His composition quite in niceties, its effects of rain morning or on the edge of a river, its delicate skies inevitably remind the paintings of Corot .
From the romantic vision of the nature, is outlined new common one verse more realism - the social expresses himself in the painting answering the awakening of a sensibility felt in the George Sand's literary work or Lamartine.
- Jean-François MILLET ( 1814-1875 ), arrived at Barbizon, with his family, in 1849, will live there twenty seven years up to his death - and will become there one of the main leader. Of peasant origin, Millet adds to its passion of the nature, the vision of the effort of the men. In the decoration of the plain of Chailly, he likes making relive these feeder works of the man the size, with the harvesters, the gleaners or the shepherds of which he tries to glorify.
J.F. MILLET exercises a profound influence on the second generation of the painters of Barbizon, among whom, the "animal painters":
- Charles JACQUE ( 1813-1894 ), arrived together with Millet, installs a breeding of poultry to observe them better. He will become the big specialist of sheepfolds and farmyards-
- Jules VEYRASSAT ( 1828-1893 ) whose taste for horses in the work will make its celebrity - baptized Ferdinand CHAIGNEAU ( 1830-1906 ) " Raphael of sheeps " - Constant TROYON ( 1810-1865 ) - Louis BARYE ( 1794-1875 ) - Rosa BONHEUR ( 1822-1899 ) - Alexandre DEFAUX ( 1826-1900 ) - Jacques Raymond BRASCASSAT ( 1804-1867 ) - Ernest Gaston LAFENESTRE ( 1841-1877 ) - And many the others...
" BARBIZON SCHOOL" will know his real consecration during the World exhibition of 1867 - but already the other painters come to Barbizon to feed on works and on advice of their oldest. They name Monet, Renoir, Sisley, Pissarro, and later, Cézanne or Seurat - The " IMPRESSIONISM "found its yeast- |
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MICHEL HENRY ( 1928 / XXè )
" Muslin of easter "
Oil on canvas signed lower left
18,2 / 21,7 in
Original frame
Literature : Benezit .
Michel HENRY
Born to Langres in 1928 Painter of landscapes, still lives
Michel HENRY made famous, especially, by his bunches of flowers That he exhibited regularly in Paris and Tokyo where he is very appreciated -
Among his admirers and faithful customers, we count Mr. and Mrs Chirac, Mr. and Mrs Barre, Alain Poher, P. Bérégovoy, Ph. Douste-Blazy, Hervé Bazin, Countess Pierre of Beaulieu , Princess Bernadotte of Sweden - J.P. Belmondo, Line Renaud, Nicoletta, Jeanne Moreau, etc. … |
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Vous êtes un passionné d´arts, découvrez PARIS et ses peintres :
Paris est l´une des villes au monde qui a le plus attiré les peintres. Mais la nature et les raisons de cet intérêt ont évolué avec l´histoire de la ville.
Paris est une mosaïque de quartiers. Les peintres en ont représenté les sites les plus séduisants et les
monuments prestigieux en
s´appropriant les lieux pour en nourrir leur imaginaire.
Découvrez également nos Bronzes authentiques :
Au début, il y a l´argile que la main pétrit, que l´outil sillonne. Puis, par le truchement du moule, le pouvoir du feu, la fragile esquisse va se figer dans l´alliage le plus dur et le plus résistant qui soit : le bronze...
Et bien sûr nos Caves à liqueurs :
Petits chefs-d´oeuvre de minutie et d´ingéniosité qui n´ont pas toujours été perçus comme de simples
objets décoratifs.
A la fin du 18ème sièmecle les premières caves à liqueurs permettaient de faire passer le temps agréablement durant les longs voyages en carrosse...
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