| | Historique |  |
Pair of walnut bergeres style Louis XV decorates with mouldings .
Silk filling side in cherry color .
Height : 38,2 in
Width : 27,2 in
Depth : 20,9 in |
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MIRO Joachim ( 1875 / 1941 )
The place of Opera at Paris .
Oil on panel signed lower right .
9,3 / 13 in .
Original frame . |
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COSSON Marcel ( 1878 / 1956 )
The meeting of the ballerinas in the subscribers lounge in the Opera of Paris .
Oil on canvas signed lower left .
21,7 / 18,1 in
Original frame .
Literature : Bénézit .
Jean Louis Marcel COSSON
Born in 1878 in Bordeaux (Gironde), Death in 1956 in Paris .
Painter of genre, compositions to characters, inside, flowers - painter in the gouache, watercolorist, Postimpressionist -
Marcel COSSON often treated subjects of opera, ballets, of circus - He was a painter of the woman, the Parisian life, the world of the dance, the theater - Marcel COSSON's paintings representing the Foyer of the Opera with her ballerinas are particularly appreciated -
Marcel COSSON exposed at first to the Show of the French Artists in Paris, a member of which he became, then in the show of the National Society of the Fine arts and in that of the Tuileries . |
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TROUILLEBERT PAUL DESIRE ( 1829 / 1900 )
The small dam of the village .
Oil on canvas signed lower left
13,8 / 12,2 in
Original Frame
Musées : Ajaccio , Angers , Angoulême , Beaune , Besançon , Boulogne sur Mer , Bruxelles , Buenos Aires , Cambrai , Cleveland , Dieppe , Dijon , Flers , Fontainebleau , Ganat , Kagawa ( Japon ) , Le Puy en Velay , Marseille , Meaux , Montbard , Montpellier , Mulhouse , New-York ( Metropolitan Museum ) , Nice , Niort , Paris ( Musée d'Orsay , Musée du petit Palais ) , Pasadena , Norton Simon Museum , Reims , Rouen , Saumur , Saint Gallen ( Suisse ) , Saint Petersbourg ( Musée de l'Ermitage ) , Valparaiso ( Chili ) , Valence .
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - Les peintres paysagistes Français du 19ème siècle par Lydia Harambourg - Les Pre-impressionnistes par Georges Pillemont - Barbizon et les paysagistes du 19ème siècle par Claude Marumo - L'art du paysage par Jeanine Bailly-Herzberg - L'école de Barbizon par Müllerschön et Maïer - Peintres paysagistes du 19ème siècle par Brame et Lorenceau - L'école de Barbizon au Musée des Beaux arts de Lyon -
TROUILLEBERT Paul Désiré
Born in Paris in 1829 / Death in 1900 in Paris -
Painter of genres, figures, nudes, portraits, landscapes -
Pupil de Hebert and Jallabert, Paul Désiré TROUILLEBERT begins honorably portrait painter's career, but his meeting with Cobelch converts him so well to the landscape on nature that he does not live any more henceforth than in the orbit of city-d'Avray master, directing almost exclusively his researches on the open air and the depiction of the atmosphere - With frankness, Paul Désiré TROUILLEBERT will be inspired all his life of the same themes as Corot: The edges of the water in the morning and at sunset, the ponds in the countryside, the trees and the wood are so many subjects which do not stop seducing him - Of a brush which does not miss either a lightness, or a transparency, Paul Désiré TROUILLEBERT applies to translate, in the grey range of his elder , the bright and atmospheric values of the nature - His pleasant paintings had a striking success with the public and keep one Constant charm -
Paul Désiré TROUILLEBERT exhibited to the Show from 1865 - |
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Slope office desk walnut wood Louis XV period opening with a flap and three drawers in front.
Flap discovering 5 drawers, 2 niches and a secret drawer.
Bronzes of origin.
31,2 / 18,5 / 39 in |
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LEGOUT-GERARD Fernand ( 1856 / 1924 )
Fishing return in Brittany .
Oil on canvas signed lower right .
13 / 9,5 in .
Original frame .
Museums : Paris ( Musée du Petit Palais )
Fernand Legout Gerard was born in Saint-Lo in the department of La Manche on October 29, 1854, and spent his entire childhood there. At a very young age he was fascinated with drawing and painting, and by the age of 14 was copying works of the lesser masters of the 18th century.
His grandfather first influenced him as an artist but he obliged his father and became a general financial agent of the Treasury of La Manche, then as a bank director. As a bank director, Fernand continued to persevere as a painter, working without respite and regularly frequenting the art world of Paris in the 1880-90’s where he had taken up residence. His efforts were quickly rewarded for he met Meissonnier, then at the height of his fame, who encouraged him; it is to Meissonier that he owes his first important prize during the Universal Exhibit of 1889.
It was through the master’s son that he discovered Concarneau, and Le Gout-Gerard felt an immediate attraction for this port where, since the beginning of the 19th century, a colony of artists would pass through and sometime stay, finding in Concarneau a source of inspiration. For over 40 years, the artist would return regularly to Concarneau, even taking up residence in 1903.
Upon the death of his parents, Fernand Le Gout-Gerard, freed form family pressure, devoted him entirely to painting, giving up his career as a banker. In 1903, he purchased villa Ker-Moor in Carcarneau, which he enlarged so that he could set up his studio.
Very quickly Le Gout-Gerard’s house became the meeting place for all the artists passing through. Le Gout-Gerard along with the entire artists’ colony of the port would demonstrate their fondness for this small city in 1899, when the prospect of demolishing the ramparts of the walled city was raised. They signed a petition that Fernand Le Gout-Gerard would submit personally to the Secretary of State for the Arts, an old school friend from Saint-Lo. He was named painter to the Ministry of the Marine and founded the "Society of the Blue Nets" of Concarneau, in 1905, which he was elected president. |
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MALEBRANCHE LOUIS CLAUDE ( 1790 / 1838 )
The norman villages in winter .
Pair of oil on panels signed lower right .
Original frames .
8,7 / 16,1 in .
Museums : Abbeville , Angers , Bar-Le-Duc , Bernay , Caen , Dijon , Langres , Nice , Niort , Paris ( Musée Carnavalet ) , Versailles ( Trianon ) .
MALLEBRANCHE Louis-Claude or MALEBRANCHE
Born on September 3rd, 1790 in Caen / Dead on November 4th, 1838 in Caen.
Painter of livened up landscapes, landscapes of snow.
The art of Louis-Claude MALLEBRANCHE is very influenced by XVIIIth century and belongs informed which groups together Demarne, Swebach and Taunay. However, it is to César Van Loo that he gets closer most. Louis-Claude MALLEBRANCHE is a pupil of Provost and Bergeret, and exhibited to the Salon from 1812 till 1838. His first landscape of snow appears in 1822. Louis-Claude MALLEBRANCHE becomes then the specialist of the effects of snow, looking for the wintry lightings, what will bring him to leave in 1837 representing mountainous sites such as Vosges, massif of the Mont Blanc and Switzerland. Very attached also in Normandy, he painted in the valley of Auge (Caen, Honfleur, Trouville). Louis-Claude MALLEBRANCHE leaves views of Brittany, Picardy, Seine-et-Marne by frequenting Meaux and Coulommiers. In 1830 Louis-Claude MALLEBRANCHE appear in the Exhibition of the Luxembourg with a view of the neighborhood of Paris and other one of Honfleur.
THE PAINTING IN THE XIXth CENTURY
Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.
The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.
From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .
From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.
Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" . |
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Cigars box 19Th century in loupe of elm and mother of pearl.
16,5 / 13,4 / 11,4 in
The liqueurs box and cigars box are small masterpieces of accuracy and ingenuity which were not still collected as of simple ornamental objects. At the end of the 18th century the first liqueurs box allowed to make spend time pleasantly during the long journeys in coach. In 1840 the rising, consumer bourgeoisie in the excess, discovering the enjoyments of the luxury and the decoration, thanks to an environment and social very favorable, could only facilitate the emergence of refined objects such as liqueurs boxes , tea boxes , cigar boxes. The story would want whether it is George Sand who launched the fashion in the XIXth century...
It is under the Empire that liqueurs box took their development. Up to the Restoration, the forms were sober and rigorous and caskets in mahogany contained small motives in marquetry. The amateurs bought them in the shops of the Palais Royal. Some craftsmen pushed the refinement up to the extreme, the most audacious concentrated their efforts on the inside of liqueurs box , with eight, twelve, sixteen or thirty two gold-coloured, square bottle of section with mostly two glasses. Crystal of Creusot, Saint Louis, Clichy, Sèvres, Pantin or molded Baccarat, engraved , worked on acid, covered with sand, cut in point of diamond, twisted, gilded in the fine gold... The inventiveness was without limit!
In the 1835/1840 the fashion of the crystal of color, imported by Bohemia, came to enrich the existing offer. The monarchy of July and the advent of the liberal upper middle class made an inescapable object, in the point to come the wedding present typifies of the French family. Quickly the aristocratic and financial elite, at the origin of the reproduction of the objects of decoration, blew up the request box liqueurs. This fast success entailed a multiplication of the models.
The biggest making in 19th century was called Tahan; from 1844 till 1879 his factories supplied the Court , from 1845 the Royal court, then Imperial from 1855. |
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BERTHOMME ST ANDRE LOUIS ( 1905 / 1977 )
Young lady with her bouquet Looking in his mirror .
Oil on canvas signed lower left
20,1 / 24 in
Original frame .
Musées : Narbonne .
BERTHOMME-SAINT-ANDRE Louis André -
Born in 1905 to Barbery ( Oise) - Death in 1977 in Paris -
Painter of compositions to characters, faces, nudes, portraits, landscapes, engraver -
Pupil of Cormon and Paul Laurent to the School of Fine Arts of Paris - Louis BERTHOMME-SAINT-ANDRE paints numerous animated landscapes, townscapes, landscapes of Provence, views of harbours, - but he is especially a painter of faces - painter of women - women of any circles - rather young and allurées, that he surprised gladly in the occupations of their intimacy - Louis BERTHOMME-SAINT-ANDRE also paints the women of show and those of pleasure whom he seized in the violent lightings of the scene and the bars - Louis BERTHOMME-SAINT-ANDRE exhibited in the annual main Parisian Shows: French Artists from 1924 till 1929 (when he obtains a silver medal) - of Autumn since 1928 - from the National Society of the Fine arts from 1934 till 1936 - Tuileries from 1935 - Louis BERTHOMME-SAINT-ANDRE had commands of wall decorations: Staircase of the Faculty of Poitiers-
Entrance of the Direction of the Fine arts of the city of Paris
Louis BERTHOMME-SAINT-ANDRE was to officiate of the Legion of Honour-
French school 20Th century - French painting 20Th century portrait of young lady - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Graphic art - Famous French painter - Art paintings - Painting by Louis
Berthomme St Andre - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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FRANCAIS Louis François ( 1814 / 1897 )
On a Sunday afternoon
Oil on canvas signed and dated 1880 lower right .
12,9 / 18,2 in
Original frame .
Musées : Alençon - Amiens - Angers - Angoulême - Avignon - Bayonne - Besançon - Bordeaux - Boulogne sur mer - Cahors - Chantilly - Chartres - Cognac - Dijon - Dôle - Douai - Epinal - Florence - Grenoble - Le Mans - Lille - Montpellier - Mulhouse - Nancy - Nantes - Paris ( Musée du Louvre - Palais des Beaux Arts - Musée de la ville de Paris ) - Plombières - Poitiers - Reims - La Rochelle - Rouen - Strasbourg - Tours -
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - Les peintres paysagistes Français du 19ème siècle pat Lydia Harambourg - Les Pre-impressionnistes par Georges Pillemont - Barbizon et les paysagistes du 19ème siècle par Claude Marumo - L'art du paysage par Jeanine Bailly Herzberg - L'école de Barbizon par Mullerschon et Maier - L'école de Barbizon au Musée des Beaux Arts de Lyon - L'école de Barbizon aux sources de l'impressionnisme par Steven Adams - L'école de la nature par Pierre Miquel - Louis Français , peintre de la nature par Roland Cornilleau -
THE PAINTING IN THE XIXth CENTURY
Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.
The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.
From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .
From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.
Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" .
" BARBIZON SCHOOL "
Originally, it is only some nature lovers,fleeing the academicism of their olders, that meet around Barbizon, small village of coalmen and farmers, nested in border of the forest of Fontainebleau and the plain of Chailly-en-Bière. These young romantic rebels leave through wood and fields with their easel, their box of painting and their campstool to fix to the painting a priviligié moment of the nature. They find refuge in the inn Ganne which will become very fast their meeting place. These artists, often can fortunate, will make for it more or less prolonged stays. Then, some will buy a house there and will settle down there definitively.
Let us quote some of these artists who will become masters:
- Although he did not really stay at Barbizon, we can say that Georges Michel ( 1763-1843 ) makes pioneer's figure of the naturalism. He celebrates, in every work, a simple and moving admiration of the beauty of the nature, a pre-romantic feeling of the strengths: thunderstorm, wind, sun - That reveal him the motive and the structures of places with the game of the shadows and the lights.
- Among the first landscape painters to frequent Barbizon and his neighborhood, we find Paul HUET ( 1803-1869 ), sensitive to the brightness of the light tones of which he tries hard to divide, to increase better his effects. Friend of Delacroix, he counts among his admirers Victor Hugo.
- Théodore ROUSSEAU ( 1812-1867 ) - It will be considered as the most striking personnalié of the group of Barbizon the leader of which he will become. The forest is for him a delight. Choosing an oak, he made the portrait as we would make that of the hero or emperor Rousseau settles down definitively to Barbizon in 1847-
- Narcisse DIAZ de la PENA ( 1808-1876 ), bound by a real friendship to Th. Rousseau, is going to assert itself as fascinated landscape painter, measuring for thirty years the forest of Fontainebleau.
- Although having made for Barbizon only more or less prolonged stays, Jules DUPRE ( 1811-1889 ) is one of pioneers of these "Barbizonniers" having adopted leus favourite themes of the rustic landscapes with the small character under trees lining a puddle or a river where drink animals, represented under diverse lightings. - his brother, Léon Victor DUPRE ( 1816-1879 ) whom he introduced, will follow him in the Isle-Adam, in the valley of the Oise, where they settle.
- " Master of the Landscape " Camille COROT ( 1796-1875 ) made frequent stays among the painters of Barbizon. Its independence, his love of the nature and the light moves closer to him to Rousseau and his friends, but without that we can classify him among the idealists of Barbizon. He is situated, at once, in the classic tradition from which he inherited, and in the realistic perspectives of the school of Barbizon. The main part, he said, it is not to lose the first impression which touched us.
- Charles François DAUBIGNY ( 1817-1878 ) frequents Barbizon from 1843-but he will be especially the painter of rivers, ponds, so widening the field of exploration of the nature and the light. He establishes the essential link between the painters of Barbizon and the Impressionists.
The painters are many, especially from 1840, to join these great masters. They leave together dan the forest or in search of a new landscape. These young artists are inspired by their sound lessons and draw the best of their talent in the direct vision of the surroundings of Barbizon. And all meet in the evening in the inn Ganne, become famous, to exchange, cheerfully, their impressions .
Among the landscape painters, we can quote, among others:
Eugène LAVIEILLE ( 1820-1889 ) - Emmanuel LANSYER ( 1835-1893 ) - Théodore ALIGNY ( 1798-1871 ) - Auguste ANASTASI ( 1820-1889 ) - Antoine CHINTREUIL ( 1816-1873 ) - Achille OUDINOT ( 1820-1891 ) - Henri HARPIGNIES ( 1819-1916 ) - FRANCAIS Louis ( 1814-1897 ) - Emile Charles LAMBINET ( 1815-1877 ) - Léon RICHET ( 1847-1907 ) - Hippolyte Camille DELPY ( 1842-1910 ) - Louis CABIE ( 1853-1939 ) - François ORTMANS ( 1827-1884 ) - Paul Désiré TROUILLEBERT ( 1829-1900 ) well that not having stayed at Barbizon, can be connected with this school. His composition quite in niceties, its effects of rain morning or on the edge of a river, its delicate skies inevitably remind the paintings of Corot .
From the romantic vision of the nature, is outlined new common one verse more realism - the social expresses himself in the painting answering the awakening of a sensibility felt in the George Sand's literary work or Lamartine.
- Jean-François MILLET ( 1814-1875 ), arrived at Barbizon, with his family, in 1849, will live there twenty seven years up to his death - and will become there one of the main leader. Of peasant origin, Millet adds to its passion of the nature, the vision of the effort of the men. In the decoration of the plain of Chailly, he likes making relive these feeder works of the man the size, with the harvesters, the gleaners or the shepherds of which he tries to glorify.
J.F. MILLET exercises a profound influence on the second generation of the painters of Barbizon, among whom, the "animal painters":
- Charles JACQUE ( 1813-1894 ), arrived together with Millet, installs a breeding of poultry to observe them better. He will become the big specialist of sheepfolds and farmyards-
- Jules VEYRASSAT ( 1828-1893 ) whose taste for horses in the work will make its celebrity - baptized Ferdinand CHAIGNEAU ( 1830-1906 ) " Raphael of sheeps " - Constant TROYON ( 1810-1865 ) - Louis BARYE ( 1794-1875 ) - Rosa BONHEUR ( 1822-1899 ) - Alexandre DEFAUX ( 1826-1900 ) - Jacques Raymond BRASCASSAT ( 1804-1867 ) - Ernest Gaston LAFENESTRE ( 1841-1877 ) - And many the others...
" BARBIZON SCHOOL" will know his real consecration during the World exhibition of 1867 - but already the other painters come to Barbizon to feed on works and on advice of their oldest. They name Monet, Renoir, Sisley, Pissarro, and later, Cézanne or Seurat - The " IMPRESSIONISM "found its yeast-
French shool 19Th century landscape - Barbizon school - French painting 19Th century of France - Lively landscape - View of les Vosges in France - French pre-impressionnist school 19Th century - Fine Painting gallery - Painting French landscapes - Parisian gallery - Oil painting - French antiques - Waterscape - Graphic art - Painting XIXTh century - Famous French painter - Landscape oil painting gallery - Art paintings - Painting by Louis Français - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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DEFAUX ALEXANDRE ( 1826 / 1900 )
The life in the campaign
Oil on canvas signed lower right
19,7 / 24 in
Original frame
Musées : Amiens , Angers , Caen , Dieppe , Draguignan , Grenoble , Liège , Louviers , Mulhouse , New-york , Rouen , St-Brieuc , St-Etienne , Strasbourg , Sydney , Toul , Paris ( Musée d'Orsay ) .
THE PAINTING IN THE XIXth CENTURY
Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.
The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.
From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .
From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.
Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" .
" BARBIZON SCHOOL "
Originally, it is only some nature lovers,fleeing the academicism of their olders, that meet around Barbizon, small village of coalmen and farmers, nested in border of the forest of Fontainebleau and the plain of Chailly-en-Bière. These young romantic rebels leave through wood and fields with their easel, their box of painting and their campstool to fix to the painting a priviligié moment of the nature. They find refuge in the inn Ganne which will become very fast their meeting place. These artists, often can fortunate, will make for it more or less prolonged stays. Then, some will buy a house there and will settle down there definitively.
Let us quote some of these artists who will become masters:
- Although he did not really stay at Barbizon, we can say that Georges Michel ( 1763-1843 ) makes pioneer's figure of the naturalism. He celebrates, in every work, a simple and moving admiration of the beauty of the nature, a pre-romantic feeling of the strengths: thunderstorm, wind, sun - That reveal him the motive and the structures of places with the game of the shadows and the lights.
- Among the first landscape painters to frequent Barbizon and his neighborhood, we find Paul HUET ( 1803-1869 ), sensitive to the brightness of the light tones of which he tries hard to divide, to increase better his effects. Friend of Delacroix, he counts among his admirers Victor Hugo.
- Théodore ROUSSEAU ( 1812-1867 ) - It will be considered as the most striking personnalié of the group of Barbizon the leader of which he will become. The forest is for him a delight. Choosing an oak, he made the portrait as we would make that of the hero or emperor Rousseau settles down definitively to Barbizon in 1847-
- Narcisse DIAZ de la PENA ( 1808-1876 ), bound by a real friendship to Th. Rousseau, is going to assert itself as fascinated landscape painter, measuring for thirty years the forest of Fontainebleau.
- Although having made for Barbizon only more or less prolonged stays, Jules DUPRE ( 1811-1889 ) is one of pioneers of these "Barbizonniers" having adopted leus favourite themes of the rustic landscapes with the small character under trees lining a puddle or a river where drink animals, represented under diverse lightings. - his brother, Léon Victor DUPRE ( 1816-1879 ) whom he introduced, will follow him in the Isle-Adam, in the valley of the Oise, where they settle.
- " Master of the Landscape " Camille COROT ( 1796-1875 ) made frequent stays among the painters of Barbizon. Its independence, his love of the nature and the light moves closer to him to Rousseau and his friends, but without that we can classify him among the idealists of Barbizon. He is situated, at once, in the classic tradition from which he inherited, and in the realistic perspectives of the school of Barbizon. The main part, he said, it is not to lose the first impression which touched us.
- Charles François DAUBIGNY ( 1817-1878 ) frequents Barbizon from 1843-but he will be especially the painter of rivers, ponds, so widening the field of exploration of the nature and the light. He establishes the essential link between the painters of Barbizon and the Impressionists.
The painters are many, especially from 1840, to join these great masters. They leave together dan the forest or in search of a new landscape. These young artists are inspired by their sound lessons and draw the best of their talent in the direct vision of the surroundings of Barbizon. And all meet in the evening in the inn Ganne, become famous, to exchange, cheerfully, their impressions .
Among the landscape painters, we can quote, among others:
Eugène LAVIEILLE ( 1820-1889 ) - Emmanuel LANSYER ( 1835-1893 ) - Théodore ALIGNY ( 1798-1871 ) - Auguste ANASTASI ( 1820-1889 ) - Antoine CHINTREUIL ( 1816-1873 ) - Achille OUDINOT ( 1820-1891 ) - Henri HARPIGNIES ( 1819-1916 ) - FRANCAIS Louis ( 1814-1897 ) - Emile Charles LAMBINET ( 1815-1877 ) - Léon RICHET ( 1847-1907 ) - Hippolyte Camille DELPY ( 1842-1910 ) - Louis CABIE ( 1853-1939 ) - François ORTMANS ( 1827-1884 ) - Paul Désiré TROUILLEBERT ( 1829-1900 ) well that not having stayed at Barbizon, can be connected with this school. His composition quite in niceties, its effects of rain morning or on the edge of a river, its delicate skies inevitably remind the paintings of Corot .
From the romantic vision of the nature, is outlined new common one verse more realism - the social expresses himself in the painting answering the awakening of a sensibility felt in the George Sand's literary work or Lamartine.
- Jean-François MILLET ( 1814-1875 ), arrived at Barbizon, with his family, in 1849, will live there twenty seven years up to his death - and will become there one of the main leader. Of peasant origin, Millet adds to its passion of the nature, the vision of the effort of the men. In the decoration of the plain of Chailly, he likes making relive these feeder works of the man the size, with the harvesters, the gleaners or the shepherds of which he tries to glorify.
J.F. MILLET exercises a profound influence on the second generation of the painters of Barbizon, among whom, the "animal painters":
- Charles JACQUE ( 1813-1894 ), arrived together with Millet, installs a breeding of poultry to observe them better. He will become the big specialist of sheepfolds and farmyards-
- Jules VEYRASSAT ( 1828-1893 ) whose taste for horses in the work will make its celebrity - baptized Ferdinand CHAIGNEAU ( 1830-1906 ) " Raphael of sheeps " - Constant TROYON ( 1810-1865 ) - Louis BARYE ( 1794-1875 ) - Rosa BONHEUR ( 1822-1899 ) - Alexandre DEFAUX ( 1826-1900 ) - Jacques Raymond BRASCASSAT ( 1804-1867 ) - Ernest Gaston LAFENESTRE ( 1841-1877 ) - And many the others...
" BARBIZON SCHOOL" will know his real consecration during the World exhibition of 1867 - but already the other painters come to Barbizon to feed on works and on advice of their oldest. They name Monet, Renoir, Sisley, Pissarro, and later, Cézanne or Seurat - The " IMPRESSIONISM "found its yeast-
Landscape 19Th century - Barbizon school - French painting 19Th century - Flock painting - View of France - French painting 19Th century of Barbizon school - French school 19Th century - Fine Painting gallery - Painting French landscapes - Parisian gallery - Oil painting - French antiques - Graphic art - Painting XIXTh century - Famous French painter - Landscape oil paintings gallery - Summer landscape painting - Art paintings - Painting by Alexandre Defaux - Specialist European and French paintings XIXTh and XXTh century - French gallery - |
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DEFAUX ALEXANDRE ( 1826 / 1900 )
The fisherman at the edge of the puddle
Oil on canvas signed lower right
19,7 / 24 in
Original frame
Musées : Amiens , Angers , Caen , Dieppe , Draguignan , Grenoble , Liège , Louviers , Mulhouse , New-york , Rouen , St-Brieuc , St-Etienne , Strasbourg , Sydney , Toul , Paris ( Musée d'Orsay ) .
THE PAINTING IN THE XIXth CENTURY
Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.
The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.
From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .
From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.
Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" .
" BARBIZON SCHOOL "
Originally, it is only some nature lovers,fleeing the academicism of their olders, that meet around Barbizon, small village of coalmen and farmers, nested in border of the forest of Fontainebleau and the plain of Chailly-en-Bière. These young romantic rebels leave through wood and fields with their easel, their box of painting and their campstool to fix to the painting a priviligié moment of the nature. They find refuge in the inn Ganne which will become very fast their meeting place. These artists, often can fortunate, will make for it more or less prolonged stays. Then, some will buy a house there and will settle down there definitively.
Let us quote some of these artists who will become masters:
- Although he did not really stay at Barbizon, we can say that Georges Michel ( 1763-1843 ) makes pioneer's figure of the naturalism. He celebrates, in every work, a simple and moving admiration of the beauty of the nature, a pre-romantic feeling of the strengths: thunderstorm, wind, sun - That reveal him the motive and the structures of places with the game of the shadows and the lights.
- Among the first landscape painters to frequent Barbizon and his neighborhood, we find Paul HUET ( 1803-1869 ), sensitive to the brightness of the light tones of which he tries hard to divide, to increase better his effects. Friend of Delacroix, he counts among his admirers Victor Hugo.
- Théodore ROUSSEAU ( 1812-1867 ) - It will be considered as the most striking personnalié of the group of Barbizon the leader of which he will become. The forest is for him a delight. Choosing an oak, he made the portrait as we would make that of the hero or emperor Rousseau settles down definitively to Barbizon in 1847-
- Narcisse DIAZ de la PENA ( 1808-1876 ), bound by a real friendship to Th. Rousseau, is going to assert itself as fascinated landscape painter, measuring for thirty years the forest of Fontainebleau.
- Although having made for Barbizon only more or less prolonged stays, Jules DUPRE ( 1811-1889 ) is one of pioneers of these "Barbizonniers" having adopted leus favourite themes of the rustic landscapes with the small character under trees lining a puddle or a river where drink animals, represented under diverse lightings. - his brother, Léon Victor DUPRE ( 1816-1879 ) whom he introduced, will follow him in the Isle-Adam, in the valley of the Oise, where they settle.
- " Master of the Landscape " Camille COROT ( 1796-1875 ) made frequent stays among the painters of Barbizon. Its independence, his love of the nature and the light moves closer to him to Rousseau and his friends, but without that we can classify him among the idealists of Barbizon. He is situated, at once, in the classic tradition from which he inherited, and in the realistic perspectives of the school of Barbizon. The main part, he said, it is not to lose the first impression which touched us.
- Charles François DAUBIGNY ( 1817-1878 ) frequents Barbizon from 1843-but he will be especially the painter of rivers, ponds, so widening the field of exploration of the nature and the light. He establishes the essential link between the painters of Barbizon and the Impressionists.
The painters are many, especially from 1840, to join these great masters. They leave together dan the forest or in search of a new landscape. These young artists are inspired by their sound lessons and draw the best of their talent in the direct vision of the surroundings of Barbizon. And all meet in the evening in the inn Ganne, become famous, to exchange, cheerfully, their impressions .
Among the landscape painters, we can quote, among others:
Eugène LAVIEILLE ( 1820-1889 ) - Emmanuel LANSYER ( 1835-1893 ) - Théodore ALIGNY ( 1798-1871 ) - Auguste ANASTASI ( 1820-1889 ) - Antoine CHINTREUIL ( 1816-1873 ) - Achille OUDINOT ( 1820-1891 ) - Henri HARPIGNIES ( 1819-1916 ) - FRANCAIS Louis ( 1814-1897 ) - Emile Charles LAMBINET ( 1815-1877 ) - Léon RICHET ( 1847-1907 ) - Hippolyte Camille DELPY ( 1842-1910 ) - Louis CABIE ( 1853-1939 ) - François ORTMANS ( 1827-1884 ) - Paul Désiré TROUILLEBERT ( 1829-1900 ) well that not having stayed at Barbizon, can be connected with this school. His composition quite in niceties, its effects of rain morning or on the edge of a river, its delicate skies inevitably remind the paintings of Corot .
From the romantic vision of the nature, is outlined new common one verse more realism - the social expresses himself in the painting answering the awakening of a sensibility felt in the George Sand's literary work or Lamartine.
- Jean-François MILLET ( 1814-1875 ), arrived at Barbizon, with his family, in 1849, will live there twenty seven years up to his death - and will become there one of the main leader. Of peasant origin, Millet adds to its passion of the nature, the vision of the effort of the men. In the decoration of the plain of Chailly, he likes making relive these feeder works of the man the size, with the harvesters, the gleaners or the shepherds of which he tries to glorify.
J.F. MILLET exercises a profound influence on the second generation of the painters of Barbizon, among whom, the "animal painters":
- Charles JACQUE ( 1813-1894 ), arrived together with Millet, installs a breeding of poultry to observe them better. He will become the big specialist of sheepfolds and farmyards-
- Jules VEYRASSAT ( 1828-1893 ) whose taste for horses in the work will make its celebrity - baptized Ferdinand CHAIGNEAU ( 1830-1906 ) " Raphael of sheeps " - Constant TROYON ( 1810-1865 ) - Louis BARYE ( 1794-1875 ) - Rosa BONHEUR ( 1822-1899 ) - Alexandre DEFAUX ( 1826-1900 ) - Jacques Raymond BRASCASSAT ( 1804-1867 ) - Ernest Gaston LAFENESTRE ( 1841-1877 ) - And many the others...
" BARBIZON SCHOOL" will know his real consecration during the World exhibition of 1867 - but already the other painters come to Barbizon to feed on works and on advice of their oldest. They name Monet, Renoir, Sisley, Pissarro, and later, Cézanne or Seurat - The " IMPRESSIONISM "found its yeast-
Landscape 19Th century - Barbizon school - French painting 19Th century - Flock painting - View of France - French painting 19Th century of Barbizon school - French school 19Th century - Fine Painting gallery - Painting French landscapes - Parisian gallery - Oil painting - French antiques - Graphic art - Painting XIXTh century - Famous French painter - Landscape oil paintings gallery - Summer landscape painting - Art paintings - Painting by Alexandre Defaux - Specialist European and French paintings XIXTh and XXTh century - French gallery - |
| | |  | | GUILLEMINET CLAUDE ( 1821 / 1860 )
The farm wakes up .
Oil on canvas signed lower right
25,7 / 21,2 in
Musées : Montpellier
Claude GUILLEMINET
Born in 1821 / Death in 1860
Painter of scenes of genre, animals, landscapes, landscapes of water -
Claude GUILLEMINET is the painter of farmyards and henhouses - Claude GUILLEMINET exhibited to the Show of Paris from 1857 the farmyards where the landscape and the rustic architectures work towards to make of Claude GUILLEMINET a conventional but charming painter.
THE PAINTING IN THE XIXth CENTURY
Until then the painters glorified the Church or the secular power. The representation of the nature was considered as a minor art and could justify itself only according to a historic, mythological or ornamental reference.
The painting of the landscape will know about the XIXth century an unprecedented development. But the evolution, of the classicism in the comment-impressionism, by way of the romanticism, will be made only at the prize of some revolutions of the mentalities. In the search for the representation of the reality through the nature but also for the work of the people, the artists joined the concerns of the writers, the philosophers and the men of science of this period.
From the beginning of the century, some precursors, natural passionate persons, had already crossed the surroundings forest of Paris. But it is from 1820 when French artists have the revelation of a new technique producing a vibration of the color, by admiring the landscapes .
From then on, helped in it by the invention of the tube of paint, and later the railroad facilitating the movements, the painter is going to practice are art on the motive in closer of the nature.
Of temperament and inspiration different, these painters, landscape painters, animal painters or realists, bound by feelings deep of the nature, recognized under the naming " School of Barbizon " prepared the way for the "Impressionism" .
" BARBIZON SCHOOL "
Originally, it is only some nature lovers,fleeing the academicism of their olders, that meet around Barbizon, small village of coalmen and farmers, nested in border of the forest of Fontainebleau and the plain of Chailly-en-Bière. These young romantic rebels leave through wood and fields with their easel, their box of painting and their campstool to fix to the painting a priviligié moment of the nature. They find refuge in the inn Ganne which will become very fast their meeting place. These artists, often can fortunate, will make for it more or less prolonged stays. Then, some will buy a house there and will settle down there definitively.
Let us quote some of these artists who will become masters:
- Although he did not really stay at Barbizon, we can say that Georges Michel ( 1763-1843 ) makes pioneer's figure of the naturalism. He celebrates, in every work, a simple and moving admiration of the beauty of the nature, a pre-romantic feeling of the strengths: thunderstorm, wind, sun - That reveal him the motive and the structures of places with the game of the shadows and the lights.
- Among the first landscape painters to frequent Barbizon and his neighborhood, we find Paul HUET ( 1803-1869 ), sensitive to the brightness of the light tones of which he tries hard to divide, to increase better his effects. Friend of Delacroix, he counts among his admirers Victor Hugo.
- Théodore ROUSSEAU ( 1812-1867 ) - It will be considered as the most striking personnalié of the group of Barbizon the leader of which he will become. The forest is for him a delight. Choosing an oak, he made the portrait as we would make that of the hero or emperor Rousseau settles down definitively to Barbizon in 1847-
- Narcisse DIAZ de la PENA ( 1808-1876 ), bound by a real friendship to Th. Rousseau, is going to assert itself as fascinated landscape painter, measuring for thirty years the forest of Fontainebleau.
- Although having made for Barbizon only more or less prolonged stays, Jules DUPRE ( 1811-1889 ) is one of pioneers of these "Barbizonniers" having adopted leus favourite themes of the rustic landscapes with the small character under trees lining a puddle or a river where drink animals, represented under diverse lightings. - his brother, Léon Victor DUPRE ( 1816-1879 ) whom he introduced, will follow him in the Isle-Adam, in the valley of the Oise, where they settle.
- " Master of the Landscape " Camille COROT ( 1796-1875 ) made frequent stays among the painters of Barbizon. Its independence, his love of the nature and the light moves closer to him to Rousseau and his friends, but without that we can classify him among the idealists of Barbizon. He is situated, at once, in the classic tradition from which he inherited, and in the realistic perspectives of the school of Barbizon. The main part, he said, it is not to lose the first impression which touched us.
- Charles François DAUBIGNY ( 1817-1878 ) frequents Barbizon from 1843-but he will be especially the painter of rivers, ponds, so widening the field of exploration of the nature and the light. He establishes the essential link between the painters of Barbizon and the Impressionists.
The painters are many, especially from 1840, to join these great masters. They leave together dan the forest or in search of a new landscape. These young artists are inspired by their sound lessons and draw the best of their talent in the direct vision of the surroundings of Barbizon. And all meet in the evening in the inn Ganne, become famous, to exchange, cheerfully, their impressions .
Among the landscape painters, we can quote, among others:
Eugène LAVIEILLE ( 1820-1889 ) - Emmanuel LANSYER ( 1835-1893 ) - Théodore ALIGNY ( 1798-1871 ) - Auguste ANASTASI ( 1820-1889 ) - Antoine CHINTREUIL ( 1816-1873 ) - Achille OUDINOT ( 1820-1891 ) - Henri HARPIGNIES ( 1819-1916 ) - FRANCAIS Louis ( 1814-1897 ) - Emile Charles LAMBINET ( 1815-1877 ) - Léon RICHET ( 1847-1907 ) - Hippolyte Camille DELPY ( 1842-1910 ) - Louis CABIE ( 1853-1939 ) - François ORTMANS ( 1827-1884 ) - Paul Désiré TROUILLEBERT ( 1829-1900 ) well that not having stayed at Barbizon, can be connected with this school. His composition quite in niceties, its effects of rain morning or on the edge of a river, its delicate skies inevitably remind the paintings of Corot .
From the romantic vision of the nature, is outlined new common one verse more realism - the social expresses himself in the painting answering the awakening of a sensibility felt in the George Sand's literary work or Lamartine.
- Jean-François MILLET ( 1814-1875 ), arrived at Barbizon, with his family, in 1849, will live there twenty seven years up to his death - and will become there one of the main leader. Of peasant origin, Millet adds to its passion of the nature, the vision of the effort of the men. In the decoration of the plain of Chailly, he likes making relive these feeder works of the man the size, with the harvesters, the gleaners or the shepherds of which he tries to glorify.
J.F. MILLET exercises a profound influence on the second generation of the painters of Barbizon, among whom, the "animal painters":
- Charles JACQUE ( 1813-1894 ), arrived together with Millet, installs a breeding of poultry to observe them better. He will become the big specialist of sheepfolds and farmyards-
- Jules VEYRASSAT ( 1828-1893 ) whose taste for horses in the work will make its celebrity - baptized Ferdinand CHAIGNEAU ( 1830-1906 ) " Raphael of sheeps " - Constant TROYON ( 1810-1865 ) - Louis BARYE ( 1794-1875 ) - Rosa BONHEUR ( 1822-1899 ) - Alexandre DEFAUX ( 1826-1900 ) - Jacques Raymond BRASCASSAT ( 1804-1867 ) - Ernest Gaston LAFENESTRE ( 1841-1877 ) - And many the others...
" BARBIZON SCHOOL" will know his real consecration during the World exhibition of 1867 - but already the other painters come to Barbizon to feed on works and on advice of their oldest. They name Monet, Renoir, Sisley, Pissarro, and later, Cézanne or Seurat - The " IMPRESSIONISM "found its yeast-
Painting 19è century - Barbizon school - French painting 19Th century of farmyard - French farmyard's painting 19Th century - French school 19Th century - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Graphic art - Famous French painter - Art paintings - Painting by Claude Guilleminet - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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COSSON Marcel ( 1878 / 1956 )
The lounge of the subscribers at the Opera .
Oil on canvas signed lower right .
19,8 / 25,7 in
Original frame .
Literature : Bénézit .
Jean Louis Marcel COSSON
Born in 1878 in Bordeaux (Gironde), Death in 1956 in Paris .
Painter of genre, compositions to characters, inside, flowers - painter in the gouache, watercolorist, Postimpressionist -
Marcel COSSON often treated subjects of opera, ballets, of circus - He was a painter of the woman, the Parisian life, the world of the dance, the theater - Marcel COSSON's paintings representing the Foyer of the Opera with her ballerinas are particularly appreciated -
Marcel COSSON exposed at first to the Show of the French Artists in Paris, a member of which he became, then in the show of the National Society of the Fine arts and in that of the Tuileries-
The PAINTERS of PARIS
Paris is one of the cities to the world which the most attracted the painters. But the nature and the reasons of this interest evolved with the history of the city. Paris is a mosaic of districts. The painters represented the most attractive sites and the prestigious monuments by appropriating places to feed their imagination - of the Island of the City in the Arc de Triomphe - of the place Clichy to the Opera - of the Latin Quarter in the Tuileries - Big Boulevards in Montmartre or in banks of the Seine - The XIXth century profoundly modified the aspect of the city and the realistic painter will attempt to represent the people in their everyday life.
Under Napoleon III, the modernization of the capital, managed by the baron Haussmann, with the drilling of big avenues, the construction of new districts as around the Monceau Park or the Etoile place, monuments as the Opera or the Church St-Augustin, the development of Wood of Boulogne and Vincennes - So many subjects as the painters will want to fix to the painting .
After the events of 1870, Paris releases itself and lives a period of pleasures of joy of living. Numerous painters, French painters and Foreigners, illustrated with happiness this society of " The Belle Epoque " - Among the most famous: Auguste Renoir and " The Ball of the Mill of the Pancake " Claude Monet and " train station St-Lazare " - Raoul Dufy in the "Palais Royal" - Edouard Manet " The Music in the Tuileries " - Henri of Toulouse Lautrec " In the Moulin Rouge " Some painters became " the specialists of Paris " representing the animation of streets and gardens, flower markets of the city or along the Church of Madeleine, " booksellers" on banks of the Seine with Notre-Dame... Everything is pretext to crunch on the deep this hectic and worldly life all the day long or of the night, and all the year round. Such: Jean Béraud and his elegant women - Edouard Cortès -
Georges Stein - Eugène Galien Laloue - and many of the others maybe less famous but so talented.
Peintre de genre - Composition à personnages - Intérieurs - Fleurs - Peintre à la gouache - Aquarelliste - Post-impressionniste - French school beginning of 20Th century - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Graphic art - Painting XXTh century - Famous French painter - Ballerine painting - Art paintings - Painting by Marcel Cosson - Specialist European and French paintings 19Th and 20Th century - Ballerina paintings - French paintings - French gallery - |
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COSSON Marcel ( 1878 / 1956 )
The lounge of the subscribers at the Opera .
Oil on canvas signed lower right .
19,8 / 25,7 in
Original frame .
Literature : Bénézit .
Jean Louis Marcel COSSON
Born in 1878 in Bordeaux (Gironde), Death in 1956 in Paris .
Painter of genre, compositions to characters, inside, flowers - painter in the gouache, watercolorist, Postimpressionist -
Marcel COSSON often treated subjects of opera, ballets, of circus - He was a painter of the woman, the Parisian life, the world of the dance, the theater - Marcel COSSON's paintings representing the Foyer of the Opera with her ballerinas are particularly appreciated -
Marcel COSSON exposed at first to the Show of the French Artists in Paris, a member of which he became, then in the show of the National Society of the Fine arts and in that of the Tuileries-
The PAINTERS of PARIS
Paris is one of the cities to the world which the most attracted the painters. But the nature and the reasons of this interest evolved with the history of the city. Paris is a mosaic of districts. The painters represented the most attractive sites and the prestigious monuments by appropriating places to feed their imagination - of the Island of the City in the Arc de Triomphe - of the place Clichy to the Opera - of the Latin Quarter in the Tuileries - Big Boulevards in Montmartre or in banks of the Seine - The XIXth century profoundly modified the aspect of the city and the realistic painter will attempt to represent the people in their everyday life.
Under Napoleon III, the modernization of the capital, managed by the baron Haussmann, with the drilling of big avenues, the construction of new districts as around the Monceau Park or the Etoile place, monuments as the Opera or the Church St-Augustin, the development of Wood of Boulogne and Vincennes - So many subjects as the painters will want to fix to the painting .
After the events of 1870, Paris releases itself and lives a period of pleasures of joy of living. Numerous painters, French painters and Foreigners, illustrated with happiness this society of " The Belle Epoque " - Among the most famous: Auguste Renoir and " The Ball of the Mill of the Pancake " Claude Monet and " train station St-Lazare " - Raoul Dufy in the "Palais Royal" - Edouard Manet " The Music in the Tuileries " - Henri of Toulouse Lautrec " In the Moulin Rouge " Some painters became " the specialists of Paris " representing the animation of streets and gardens, flower markets of the city or along the Church of Madeleine, " booksellers" on banks of the Seine with Notre-Dame... Everything is pretext to crunch on the deep this hectic and worldly life all the day long or of the night, and all the year round. Such: Jean Béraud and his elegant women - Edouard Cortès -
Georges Stein - Eugène Galien Laloue - and many of the others maybe less famous but so talented.
Peintre de genre - Composition à personnages - Intérieurs - Fleurs - Peintre à la gouache - Aquarelliste - Post-impressionniste - French school beginning of 20Th century - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Graphic art - Painting XXTh century - Famous French painter - Ballerine painting - Art paintings - Painting by Marcel Cosson - Specialist European and French paintings 19Th and 20Th century - Ballerina paintings - French paintings - French gallery - |
| | |  | |
COSSON Marcel ( 1878 / 1956 )
The lounge of the subscribers at the Opera of Paris .
Oil on canvas signed lower right .
19,8 / 25,7 in
Original frame .
Literature : Bénézit .
Jean Louis Marcel COSSON
Born in 1878 in Bordeaux (Gironde), Death in 1956 in Paris .
Painter of genre, compositions to characters, inside, flowers - painter in the gouache, watercolorist, Postimpressionist -
Marcel COSSON often treated subjects of opera, ballets, of circus - He was a painter of the woman, the Parisian life, the world of the dance, the theater - Marcel COSSON's paintings representing the Foyer of the Opera with her ballerinas are particularly appreciated -
Marcel COSSON exposed at first to the Show of the French Artists in Paris, a member of which he became, then in the show of the National Society of the Fine arts and in that of the Tuileries-
The PAINTERS of PARIS
Paris is one of the cities to the world which the most attracted the painters. But the nature and the reasons of this interest evolved with the history of the city. Paris is a mosaic of districts. The painters represented the most attractive sites and the prestigious monuments by appropriating places to feed their imagination - of the Island of the City in the Arc de Triomphe - of the place Clichy to the Opera - of the Latin Quarter in the Tuileries - Big Boulevards in Montmartre or in banks of the Seine - The XIXth century profoundly modified the aspect of the city and the realistic painter will attempt to represent the people in their everyday life.
Under Napoleon III, the modernization of the capital, managed by the baron Haussmann, with the drilling of big avenues, the construction of new districts as around the Monceau Park or the Etoile place, monuments as the Opera or the Church St-Augustin, the development of Wood of Boulogne and Vincennes - So many subjects as the painters will want to fix to the painting .
After the events of 1870, Paris releases itself and lives a period of pleasures of joy of living. Numerous painters, French painters and Foreigners, illustrated with happiness this society of " The Belle Epoque " - Among the most famous: Auguste Renoir and " The Ball of the Mill of the Pancake " Claude Monet and " train station St-Lazare " - Raoul Dufy in the "Palais Royal" - Edouard Manet " The Music in the Tuileries " - Henri of Toulouse Lautrec " In the Moulin Rouge " Some painters became " the specialists of Paris " representing the animation of streets and gardens, flower markets of the city or along the Church of Madeleine, " booksellers" on banks of the Seine with Notre-Dame... Everything is pretext to crunch on the deep this hectic and worldly life all the day long or of the night, and all the year round. Such: Jean Béraud and his elegant women - Edouard Cortès -
Georges Stein - Eugène Galien Laloue - and many of the others maybe less famous but so talented.
Peintre de genre - Composition à personnages - Intérieurs - Fleurs - Peintre à la gouache - Aquarelliste - Post-impressionniste - French school beginning of 20Th century - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Graphic art - Painting XXTh century - Famous French painter - Ballerine painting - Art paintings - Painting by Marcel Cosson - Specialist European and French paintings 19Th and 20Th century - Ballerina paintings - French paintings - French gallery - |
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BERTHOMME ST ANDRE LOUIS ( 1905 / 1977 )
Young lady with her bouquet looking in his mirror .
Oil on canvas signed lower left
20,1 / 24 in
Original frame .
Musées : Narbonne .
BERTHOMME-SAINT-ANDRE Louis André -
Born in 1905 to Barbery ( Oise) - Death in 1977 in Paris -
Painter of compositions to characters, faces, nudes, portraits, landscapes, engraver -
Pupil of Cormon and Paul Laurent to the School of Fine Arts of Paris - Louis BERTHOMME-SAINT-ANDRE paints numerous animated landscapes, townscapes, landscapes of Provence, views of harbours, - but he is especially a painter of faces - painter of women - women of any circles - rather young and allurées, that he surprised gladly in the occupations of their intimacy - Louis BERTHOMME-SAINT-ANDRE also paints the women of show and those of pleasure whom he seized in the violent lightings of the scene and the bars - Louis BERTHOMME-SAINT-ANDRE exhibited in the annual main Parisian Shows: French Artists from 1924 till 1929 (when he obtains a silver medal) - of Autumn since 1928 - from the National Society of the Fine arts from 1934 till 1936 - Tuileries from 1935 - Louis BERTHOMME-SAINT-ANDRE had commands of wall decorations: Staircase of the Faculty of Poitiers-
Entrance of the Direction of the Fine arts of the city of Paris
Louis BERTHOMME-SAINT-ANDRE was to officiate of the Legion of Honour-
French school 20Th century - French painting 20Th century portrait of young lady - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Graphic art - Famous French painter - Art paintings - Painting by Louis Berthomme St Andre - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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BERTHOMME ST ANDRE LOUIS ( 1905 / 1977 )
Young lady with her bouquet .
Oil on canvas signed lower left
20,1 / 24 in
Original frame .
Musées : Narbonne .
BERTHOMME-SAINT-ANDRE Louis André -
Born in 1905 to Barbery ( Oise) - Death in 1977 in Paris -
Painter of compositions to characters, faces, nudes, portraits, landscapes, engraver -
Pupil of Cormon and Paul Laurent to the School of Fine Arts of Paris - Louis BERTHOMME-SAINT-ANDRE paints numerous animated landscapes, townscapes, landscapes of Provence, views of harbours, - but he is especially a painter of faces - painter of women - women of any circles - rather young and allurées, that he surprised gladly in the occupations of their intimacy - Louis BERTHOMME-SAINT-ANDRE also paints the women of show and those of pleasure whom he seized in the violent lightings of the scene and the bars - Louis BERTHOMME-SAINT-ANDRE exhibited in the annual main Parisian Shows: French Artists from 1924 till 1929 (when he obtains a silver medal) - of Autumn since 1928 - from the National Society of the Fine arts from 1934 till 1936 - Tuileries from 1935 - Louis BERTHOMME-SAINT-ANDRE had commands of wall decorations: Staircase of the Faculty of Poitiers-
Entrance of the Direction of the Fine arts of the city of Paris
Louis BERTHOMME-SAINT-ANDRE was to officiate of the Legion of Honour-
French school 20Th century - French painting 20Th century portrait of young lady - Fine Painting gallery - Parisian gallery - Oil painting - French antiques - Graphic art - Famous French painter - Art paintings - Painting by Louis Berthomme St Andre - Specialist European and French paintings 19Th and 20Th century - French gallery - |
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AUGUSTE MOREAU ( 1834 / 1917 )
Sculptor .
The child in young birds.
Original bronze 19Th century brown patina signed Auguste Moreau on the base, basing on a marble , representing a girl holding two young birds. She sits on a rock with reeds and bird.
Ancient font signed .
Height : 20,9 in
Musees : Bordeaux , Dijon , Gray , Reims .
Literature : Benezit , Les Bronzes au 19è siècle , Dictionnaire des sculpteurs par Pierre Kjellberg . |
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STEIN Georges ( XIXè / XXè )
Paris Place of the Institute on banks of the Seine .
Oil on canvas signed and situated Paris lower right .
15,1 / 21,8 in
Musées : Carnavalet ( Paris )
Literature : Bénézit - " Paris à la belle époque au temps de Marcel Proust " par Marc Gaillard .
Georges STEIN
Born in 1870 - Death in 1955 - Frenchman
Painter of scenes of genre, animated landscapes, landscapes, townscapes - painter in the gouache - watercolorist - draftsman -
Contemporary of Cortès, Béraud, Galien Laloue, Georges STEIN painted townscapes, in the oil or in the watercolor: London, Monte Carlo, and especially the typical Paris - Georges STEIN so realized numerous views of the flower market of Madeleine, that of the Island of the City , as well as the gardens of the Luxembourg, the Opera, the Moulin Rouge, Notre-Dame, Folies Bergère, the Big Boulevards of Paris , etc. |
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STEIN Georges ( XIXè / XXè )
Paris Notre Dame view of quays .
Oil on canvas signed and situated Paris lower left .
15 / 21,7 in
Original Frame .
Musées : Carnavalet ( Paris )
Literature : Bénézit - " Paris à la belle époque au temps de Marcel Proust " par Marc Gaillard .
Georges STEIN
Born in 1870 - Death in 1955 - Frenchman
Painter of scenes of genre, animated landscapes, landscapes, townscapes - painter in the gouache - watercolorist - draftsman -
Contemporary of Cortès, Béraud, Galien Laloue, Georges STEIN painted townscapes, in the oil or in the watercolor: London, Monte Carlo, and especially the typical Paris - Georges STEIN so realized numerous views of the flower market of Madeleine, that of the Island of the City , as well as the gardens of the Luxembourg, the Opera, the Moulin Rouge, Notre-Dame, Folies Bergère, the Big Boulevards of Paris , etc.
The PAINTERS of PARIS
Paris is one of the cities to the world which the most attracted the painters. But the nature and the reasons of this interest evolved with the history of the city. Paris is a mosaic of districts. The painters represented the most attractive sites and the prestigious monuments by appropriating places to feed their imagination - of the Island of the City in the Arc de Triomphe - of the place Clichy to the Opera - of the Latin Quarter in the Tuileries - Big Boulevards in Montmartre or in banks of the Seine - The XIXth century profoundly modified the aspect of the city and the realistic painter will attempt to represent the people in their everyday life.
Under Napoleon III, the modernization of the capital, managed by the baron Haussmann, with the drilling of big avenues, the construction of new districts as around the Monceau Park or the Etoile place, monuments as the Opera or the Church St-Augustin, the development of Wood of Boulogne and Vincennes - So many subjects as the painters will want to fix to the painting .
After the events of 1870, Paris releases itself and lives a period of pleasures of joy of living. Numerous painters, French painters and Foreigners, illustrated with happiness this society of " The Belle Epoque " - Among the most famous: Auguste Renoir and " The Ball of the Mill of the Pancake " Claude Monet and " train station St-Lazare " - Raoul Dufy in the "Palais Royal" - Edouard Manet " The Music in the Tuileries " - Henri of Toulouse Lautrec " In the Moulin Rouge " Some painters became " the specialists of Paris " representing the animation of streets and gardens, flower markets of the city or along the Church of Madeleine, " booksellers" on banks of the Seine with Notre-Dame... Everything is pretext to crunch on the deep this hectic and worldly life all the day long or of the night, and all the year round. Such: Jean Béraud and his elegant women - Edouard Cortès -
Georges Stein - Eugène Galien Laloue - and many of the others maybe less famous but so talented. |
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MARONIEZ Georges ( 1865 / 1933 )
The return of the fishermen at sunset .
Oil on canvas signed lower right .
25,6 / 36,2 in .
Original frame . |
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Chest of drawers slightly arbalette regional in walnut with mouldings opening by three drawers.
Top in walnut .
Work beginning of 18th century.
Original bronzes .
52,4 / 25 / 33,3 in . |
| | |  | | VAUTHIER Pierre ( 1845 / 1916 )
Paris the customs of The Seine before the new bridge
Oil on canvas signed lower left
25,6 / 36,2 in
Original frame
Musees : Anvers , Bourges , Chambéry , Draguignan , Moulin , Paris : Petit Palais , Musée Carnavalet , Salon des Sciences à L'Hôtel de Ville de Paris .
Litterature : Bénézit , Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne , Les peintres paysagistes Français au 19ème siècle par Lydia Harambourg , Dictionnaire des peintres de Montmartre aux 19ème et 20ème siècles par André Roussard , " Paris à la belle époque au temps de Marcel Proust " par Marc Gaillard .
The PAINTERS of PARIS
Paris is one of the cities to the world which the most attracted the painters. But the nature and the reasons of this interest evolved with the history of the city. Paris is a mosaic of districts. The painters represented the most attractive sites and the prestigious monuments by appropriating places to feed their imagination - of the Island of the City in the Arc de Triomphe - of the place Clichy to the Opera - of the Latin Quarter in the Tuileries - Big Boulevards in Montmartre or in banks of the Seine - The XIXth century profoundly modified the aspect of the city and the realistic painter will attempt to represent the people in their everyday life.
Under Napoleon III, the modernization of the capital, managed by the baron Haussmann, with the drilling of big avenues, the construction of new districts as around the Monceau Park or the Etoile place, monuments as the Opera or the Church St-Augustin, the development of Wood of Boulogne and Vincennes - So many subjects as the painters will want to fix to the painting .
After the events of 1870, Paris releases itself and lives a period of pleasures of joy of living. Numerous painters, French painters and Foreigners, illustrated with happiness this society of " The Belle Epoque " - Among the most famous: Auguste Renoir and " The Ball of the Mill of the Pancake " Claude Monet and " train station St-Lazare " - Raoul Dufy in the "Palais Royal" - Edouard Manet " The Music in the Tuileries " - Henri of Toulouse Lautrec " In the Moulin Rouge " Some painters became " the specialists of Paris " representing the animation of streets and gardens, flower markets of the city or along the Church of Madeleine, " booksellers" on banks of the Seine with Notre-Dame... Everything is pretext to crunch on the deep this hectic and worldly life all the day long or of the night, and all the year round. Such: Jean Béraud and his elegant women - Edouard Cortès -
Georges Stein - Eugène Galien Laloue - and many of the others maybe less famous but so talented. |
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Vous êtes un passionné d´arts, découvrez PARIS et ses peintres :
Paris est l´une des villes au monde qui a le plus attiré les peintres. Mais la nature et les raisons de cet intérêt ont évolué avec l´histoire de la ville.
Paris est une mosaïque de quartiers. Les peintres en ont représenté les sites les plus séduisants et les
monuments prestigieux en
s´appropriant les lieux pour en nourrir leur imaginaire.
Découvrez également nos Bronzes authentiques :
Au début, il y a l´argile que la main pétrit, que l´outil sillonne. Puis, par le truchement du moule, le pouvoir du feu, la fragile esquisse va se figer dans l´alliage le plus dur et le plus résistant qui soit : le bronze...
Et bien sûr nos Caves à liqueurs :
Petits chefs-d´oeuvre de minutie et d´ingéniosité qui n´ont pas toujours été perçus comme de simples
objets décoratifs.
A la fin du 18ème sièmecle les premières caves à liqueurs permettaient de faire passer le temps agréablement durant les longs voyages en carrosse...
Venez Partager votre passion avec nous :
Ecrivez nous
ou venez nous visitez au :
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ou
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c´est très simple
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