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AUGUSTE MOREAU ( 1834 / 1917 )
Sculptor .
The child in young birds.
Original bronze 19Th century brown patina signed Auguste Moreau on the base, basing on a marble , representing a girl holding two young birds. She sits on a rock with reeds and bird.
Ancient font signed .
Height : 20,9 in
Musees : Bordeaux , Dijon , Gray , Reims .
Literature : Benezit , Les Bronzes au 19è siècle , Dictionnaire des sculpteurs par Pierre Kjellberg . |
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Dali Salvador ( 1904 / 1989 )
Rhinoceros dressed in laces.
Bronze signed and justified .
Patina : Green Florentine, Pyramid gilted in fine gold.
Foundry : Airaindor / Valsuani.
Height : 15 in
Width : 22,8 in
Depth : 13,6 in
Certificate of authenticity .
Listed in the catalog reasoned by some bronzes of Salvador DALI: " the Hard and the Soft " by Robert and Nicolas Descharnes page 69 . |
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Bagues chandelier golden bronze and pendants.
Work of 19th century.
6 lights.
27,6 / 17,3 in |
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Dali Salvador ( 1904 / 1989 )
Rhinoceros dressed in laces 1954 .
Silver bronze signed and justified .
Foundry : Airaindor / Valsuani.
Height : 4,7 in
Width : 6,4 in
Depth : 3,5 in
Certificate of authenticity .
Listed in the catalog reasoned by some bronzes of Salvador DALI: " the Hard and the Soft " by Robert and Nicolas Descharnes page 69 . |
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Venice chandelier Murano .
8 lights .
Work of 20Th century .
39,4 / 29,5 in |
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MATHURIN MOREAU ( 1822 / 1912 )
Sculptor .
Young lady musician in birds .
Original Bronze 19Th century brown patina signed Mathurin Moreau on the base .
Ancient font signed .
Height : 24,3 in
Musees : Caen , Dijon , Paris ( Musée des arts décoratifs ) , Reims , Paris ( Eglise St Augustin , Eglise de la Trinité , Opéra Garnier , Palais de justice , Hotel de ville , Les Tuileries , Pavillon Marsan au Louvre , Place du Theâtre Francais )
Literature : Benezit , Les Bronzes au 19è siècle , Dictionnaire des sculpteurs par Pierre Kjellberg . |
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MOREAU Hippolyte François ( 1832 / 1927 )
The singing of the lark .
Original Bronze 19Th century signed Hippolyte Moreau , brown patina restful on his pedestal .
Height : 17,8 in
Musees : Chambery , Dijon .
Literature : Benezit , Les bronzes au XIXè siècle par Pierre Kjellberg . |
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Dali Salvador ( 1904 / 1989 )
Cosmic Rhinoceros .
Bronze signed and justified .
Patina : Silver .
Foundry : Airaindor / Valsuani.
Height : 14,1 in
Width : 7 in
Depth : 3,9 in
Certificate of authenticity .
Listed in the catalogue reasoned by some bronzes of Salvador DALI: " the Hard and the Soft " by Robert and Nicolas Descharnes page 71 . |
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Dali Salvador ( 1904 / 1989 )
Cosmic Rhinoceros .
Bronze signed and justified .
Patina : Green Florentine, Pyramid gilted in fine gold.
Foundry : Airaindor / Valsuani.
Height : 36,2 in
Width :25,2 in
Depth : 13,4 in
Certificate of authenticity .
Listed in the catalogue reasoned by some bronzes of Salvador DALI: " the Hard and the Soft " by Robert and Nicolas Descharnes page 71 . |
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Liquor caddie Napoleon III period
Boulle model
Original 16 glass and 4 decanters
12,6 / 9,1 / 10 in |
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Liquor caddie 19Th century Napoleon III period .
16 original glasses and 4 decanters gilded in the fine gold
12,6 / 9,8 / 10,9 in
The liqueurs box are small masterpieces of accuracy and ingenuity which were not still collected as of simple ornamental objects. At the end of the 18th century the first liqueurs box allowed to make spend time pleasantly during the long journeys in coach. In 1840 the rising, consumer bourgeoisie in the excess, discovering the enjoyments of the luxury and the decoration, thanks to an environment and social very favorable, could only facilitate the emergence of refined objects such as liqueurs boxes , tea boxes , cigar boxes. The story would want whether it is George Sand who launched the fashion in the XIXth century...
It is under the Empire that liqueurs box took their development. Up to the Restoration, the forms were sober and rigorous and caskets in mahogany contained small motives in marquetry. The amateurs bought them in the shops of the Palais Royal. Some craftsmen pushed the refinement up to the extreme, the most audacious concentrated their efforts on the inside of liqueurs box , with eight, twelve, sixteen or thirty two gold-coloured, square bottle of section with mostly two glasses. Crystal of Creusot, Saint Louis, Clichy, Sèvres, Pantin or molded Baccarat, engraved , worked on acid, covered with sand, cut in point of diamond, twisted, gilded in the fine gold... The inventiveness was without limit!
In the 1835/1840 the fashion of the crystal of color, imported by Bohemia, came to enrich the existing offer. The monarchy of July and the advent of the liberal upper middle class made an inescapable object, in the point to come the wedding present typifies of the French family. Quickly the aristocratic and financial elite, at the origin of the reproduction of the objects of decoration, blew up the request box liqueurs. This fast success entailed a multiplication of the models.
The biggest making in 19th century was called Tahan; from 1844 till 1879 his factories supplied the Court , from 1845 the Royal court, then Imperial from 1855. |
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Chandelier golden bronze Restoration period and pendants.
Work of Restoration period 19th century.
Beautiful original gilt .
9 lights.
33,5 / 21,7 in |
| | |  | | Giltbronze lantern 19Th century .
4 lights .
31,9 / 15,4 in |
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MOREAU Hippolyte François ( 1832 / 1927 )
The singing of the lark .
Original Bronze 19Th century signed Hippolyte Moreau , brown patina restful on his pedestal .
Height : 23,7 in
Musees : Chambery , Dijon .
Literature : Benezit , Les bronzes au XIXè siècle par Pierre Kjellberg . |
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A fine 19Th century original giltbronze foot of lamp chiselled signed Gagneau with its special lampshade painted in the hand by resuming the motives for the foot of lampe .
Original gilding .
Late 19Th century
26,4 / 15,3 in |
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LEMIRE Charles Gabriel Sauvage ( 1741 / 1827)
Sculptor .
Child in the bow .
Original bronze beginning of 19Th century brown patina signed on the back resting on a Sèvres base red marble .
Height : 18,5 in
Model created by Lemire for the Exhibition of 1814.
Museums : Paris ( Musée du Louvre )
Literature : Bénézit , Bronzes in the 19Th century , Dictionary of the sculptors by Pierre Kjellberg . |
| | |  | | A French rocaille giltbronze chandelier last 19Th century .
9 lights
29,5 / 25,2 in |
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ARMAN ( 1928 / 2005 )
Bronze N° XV / XXX signed lower right
27,6 / 13 / 4 in
Cachet du fondeur
Archives Madame Durand-ruel N° 8833 |
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Original bronze of Renoir and Guino N° 4/8
Susse foundry .
Diameter : 20,1 in
Certificat of authenticity of the heirs Renoir and the heirs Guino
List number 16 of the Bristol catalog .
Exhibition at Tokyo and Aix en provence
" The friendship between Pierre-Auguste Renoir and Paul Cézanne had to last all their life. She goes on at the descendant's. Paul Cézanne was better that his friend; he would not have come at the idea of considering him than what a brother. Our two families even now make only one, with the quarrels and the affections which exist only beyond the limits of a certain intimacy? " Extracts from the book: Pierre-Auguste Renoir, my father by Jean Renoir (film-maker) second son of the painter Pierre-Auguste Renoir in the publishing Gallimard. |
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Dali Salvador ( 1904 / 1989 )
The Joconde Mitsukoshi 1974.
Bronze signed and justified .
Patina : Green Florentine .
Foundry : Airaindor / Valsuani.
Height : 26,2 in
Width : 25,6 in
Depth : 11,5 in
Certificate of authenticity .
Listed in the catalog reasoned by some bronzes of Salvador DALI: " the Hard and the Soft " by Robert and Nicolas Descharnes page 145 . |
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Dali Salvador ( 1904 / 1989 )
Rhinoceros dressed in laces.
Bronze signed .
Patina : Etrusque black , Pyramid gilted in fine gold.
Foundry : Airaindor / Valsuani.
Height : 4,7 in
Width : 6,4 in
Depth : 3,5 in
Certificate of authenticity .
Listed in the catalog reasoned by some bronzes of Salvador DALI: " the Hard and the Soft " by Robert and Nicolas Descharnes page 69 . |
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Dali Salvador ( 1904 / 1989 )
Cosmic Rhinoceros .
Bronze signed .
Patina : Black étrusque , Pyramid gilted in fine gold.
Foundry : Airaindor / Valsuani.
Height : 14,1 in
Width : 6,3 in
Depth : 3,6 in
Certificate of authenticity .
Listed in the catalogue reasoned by some bronzes of Salvador DALI: " the Hard and the Soft " by Robert and Nicolas Descharnes page 71 . |
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Large Italian vase Renaissance in the Nivernais style .
Last 19Th / beginning 20Th
20,9 / 20,9 / 11 in |
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Two dishes in polychromatic earthenware of Delft with peasant decoration .
Work of the 18th century.
Diameter : 11,9 in |
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Paris est l´une des villes au monde qui a le plus attiré les peintres. Mais la nature et les raisons de cet intérêt ont évolué avec l´histoire de la ville.
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Au début, il y a l´argile que la main pétrit, que l´outil sillonne. Puis, par le truchement du moule, le pouvoir du feu, la fragile esquisse va se figer dans l´alliage le plus dur et le plus résistant qui soit : le bronze...
Et bien sûr nos Caves à liqueurs :
Petits chefs-d´oeuvre de minutie et d´ingéniosité qui n´ont pas toujours été perçus comme de simples
objets décoratifs.
A la fin du 18ème sièmecle les premières caves à liqueurs permettaient de faire passer le temps agréablement durant les longs voyages en carrosse...
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