| | Paintings |  |
STEIN Georges ( XIXè / XXè )
Paris Place of the Institute on banks of the Seine .
Oil on canvas signed and situated Paris lower right .
15,1 / 21,8 in
Musées : Carnavalet ( Paris )
Literature : Bénézit - " Paris à la belle époque au temps de Marcel Proust " par Marc Gaillard .
Georges STEIN
Born in 1870 - Death in 1955 - Frenchman
Painter of scenes of genre, animated landscapes, landscapes, townscapes - painter in the gouache - watercolorist - draftsman -
Contemporary of Cortès, Béraud, Galien Laloue, Georges STEIN painted townscapes, in the oil or in the watercolor: London, Monte Carlo, and especially the typical Paris - Georges STEIN so realized numerous views of the flower market of Madeleine, that of the Island of the City , as well as the gardens of the Luxembourg, the Opera, the Moulin Rouge, Notre-Dame, Folies Bergère, the Big Boulevards of Paris , etc. |
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NOEL Jules ( 1815 / 1881 )
The washerwomen of the village in winter ;
Oil on canvas signed and dated 1858 lower right .
12,2 / 17,8 in .
Original frame .
Musées : Angoulême - Bernay - Besançon - Bordeaux - Brest - Briançon - Cambrai - Castres - Chantilly - Chartres - Chaumont - Cherbourg - Dijon - Douai - Hyères - La Rochelle - Lille - Mulhouse - Nancy - Nantes - Nevers - Paris ( Musée du Louvre ) - Quimper - Reims - Rochefort - Tours - Valence - Vannes -
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Pierre Cabanne et Gérald Schurr - Dictionnaire des peintres paysagistes Français du 19ème siècle par Lydia Harambourg - Le Finistère des peintres par Daniel Yonnet et André Cariou - La Normandie , berceau de l'impressionnisme par Jacques - Sylvain Klein - Douarnenez " au bonheur des peintres " par Henri Belbeach - Le peintre et l'animal en France au 19ème siècle par Elisabeth Hardouin - Fugier - Le voyage en France par Jean Claude Simoën -
Jules NOEL
Born in 1815 in Nancy (Meurthe-et-Moselle) - Dead in 1881 in Algiers
Painter of scenes of genre, landscapes and marine animated , landscapes, marine, inside of churches - painter in the gouache - Watercolorist pastelliste - lithographer - draftsman -
Pupil of Cherioux in Brest, Jules NOEL comes to Paris, in 1840, when he exposes to the Show until 1879 - Brittany and Normandy are, except the Middle East, his outdoor studios - peaceful fishing ports in the poignant scenes of wreck, Jules NOEL puts so much eloquence and brilliance to pull his subject - his watercolors and paintings are of a spiritual execution - Jules NOEL particularly succeeded in the representation of the Norman coast , - his familiar scenes of the life in town, in the campaign , in the sea, constitute a picturesque and alive and kicking testimony - very estimated , Jules NOEL's studio is the meeting place of several artists' generations of the romanticism in the realism . |
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RIGOLOT Albert Gabriel ( 1862 / 1932 )
Edges of Eure in autumn .
Oil on canvas signed lower left .
25,6 / 36,2 in
Original frame .
Musées : Cambrai - Nancy - Paris ( Musée du Luxembourg - Musée d'Art Moderne de la ville de Paris ) - Rouen - Saint - Quentin -
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Pierre Cabanne et Gérald Schurr - Dictionnaire des peintres paysagistes Français au XIXème siècle par Lydia Harambourg -
RIGOLOT Albert Gabriel
Born on November 28th, 1862 / Death on April 25th, 1932
Painter of views, landscapes, landscapes of water, pastelliste.
Pupil of Pelouse and Allongé , Albert RIGOLOT knows the art to measure the light in his landscapes of ponds and his river banks inspired by a serious conception and a naturalist close to the school of Barbizon. Albert RIGOLOT shows a bigger freedom in his paintings on the harvests, and especially in his landscapes and his scenes of Algeria the rigorous touch of which translates a completely personal sensitive and poetic vision. Member of the Society of the Orientalists Frenchman, Albert RIGOLOT exposes to the Show of the French Artists from 1886, a member of which he becomes in 1888. Albert RIGOLOT obtains an honourable mention in 1889, a medal of the third class in 1891, a silver medal in 1900, for the Universal Exhibition . Albert RIGOLOT was named member of the Society of the French Orientalists,and makes chevalier of the Legion of Honour in 1901. |
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PAILLER Henri ( 1876 / 1954 )
The village in the Creuse.
Oil on canvas signed lower left .
14 / 21,6 in
Original frame .
Museums: Poitiers, Dijon, Orleans, Limoges, Philadelphia.
Literature: Bénézit, Dictionary of small masters of the painting by Gérald Schurr and Pierre Cabanne, The school of Crozant the painters of The Creuse and Gargilesse by Christophe Ramex.
PAILLER Henri
Born in Poitiers in 1876 / Death in 1954.
Painter of history , landscapes, townscapes, landscapes of water.
Pupil of Bonnat to the School of Fine Arts of Paris, Henri Pailler is in fact the pupil of Armand Guillaumin. More modest and less ambitious than his companions Friesz, Marquet and Dufy met to the workshop Bonnat, he prefers the classic impressionism of Guillaumin master of Crozant whom he accompanies in the Creuse. Still very young person Henri Pailler, aware of the privilege to frequent Guillaumin receives its lessons as a real treasure. On the other hand to make sure of daily income, he teaches the drawing in Poitiers or he manages fast to make some teaching a leisure and of the painting a job . Throughout her complete life he will not look either for gratitude or for laurels for his landscapes which change only the slow rhythm of the seasons. Successful Henri Pailler nevertheless, in spite of his follower's position to assert her own personality.
His most frequent subjects are views of Crozant and surroundings of Poitiers, until its appointment as art teacher in Roubaix. Appear then some views of the North of France, and during its holidays, views of the South . Henri Pailler will always guard a preference for Crozant and his Creuse. Henri Pailler began in the Exhibition of the Independents in 1903 with 7 landscapes, and in 1904 with 7 others. |
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HERVE JULES RENE ( 1887 / 1981 )
The game of cards in the coffee .
Oil on canvas signed lower right .
15,2 / 18,3 in
Original frame
Musées : Annecy , Calais , Casablanca , Chicago , Dijon , Langres , Luxeuil-Les-Bains , Montreal , New York , Paris , Saint-Etienne , Tourcoing , Troyes .
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - "Jules René Hervé un maître enchanteur de la peinture du 20ème siècle" by Bernard Masson - "Le haut du pavé de Langres" by Gérard Gueniot - Le peintre et l'animal en France au 19ème siècle by Elisabeth Hardouin-Fugier -
Jules René HERVE born at Langres ( Haute Marne) in 1887 Dead at Langres in 1981 .
Painter of typical scenes,figures, portraits, landscapes.
Pupil of Fernand Cormon and Jules Adler, Jules René Hervé settles down in Paris and begins to expose to the show of the French Artists in 1910, Jules René Hervé receives a silver medal in 1914 and a golden medal there in 1925.
Then Jules René Hervé shares his life between Paris and his home town the humble and picturesque events, the portraits of austere sound of which he paints, of a light, expert brush in small lively brightness on grey or ochre skillfully distributed, society in the monotonous and felted existence - But Jules René Hervé knows how to restore as well the full of life atmosphere of the Parisian life and his monuments or the ballerinas to the foyer of the Opera -
Of its finely observed compositions emanate delicate feelings - Appreciated by the French and foreign amateurs, Jules René Hervé " is devoted in his art throughout its life -
Jules Hervé is considered as " the last one of the impressionists " |
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DUPRE LEON VICTOR ( 1816 / 1879 )
The cows of the village at the pond .
Oil on panel signed and dated 1858 lower left .
9,5 / 15,7 in
Musées : Brest , Douai , Paris ( Musée d'Orsay )
DUPRE Léon Victor
Born in Limoges in 1816 - death in Paris in 1879
Painter of genre,animated landscapes, landscapes .
Five-year-old Youngest child of his brother Jules DUPRE, Léon Victor DUPRE is his pupil - As he, he puts his easel in the edges of rivers, under the stormy skies of Berry, Limousin, Isle-Adam or Normandy and frequent Barbizon. In his paintings , Léon Victor DUPRE shows a pleasant freedom of touch and an organized composition which enslaves by no means his panthéiste sense .
He exposes regularly to the Show and obtains a medal in 1849 - |
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MADELAIN Gustave ( 1867 / 1944 )
Barges and vapor moored , seen on Notre Dame of Paris .
Oil on canvas signed lower right.
14 / 18,1 in .
Original frame .
GUSTAVE MADELAIN (French, 1867-1944)
Born in Charly, this noted French Impressionist painter studied in Paris and, beginning in 1907, exhibited with success at the Salon des Independants where he received numerous prizes for his landscapes and city views. Madelain has become associated particularly with scenes of Montmartre and the left bank of the Seine, often with monumental architectural subjects pictured in the evening and observed with a subtle, tonalist palette. Madelain’s retrospective (Paris, 1926) was a great success with six architectural works purchased by the French government. Delicately painted view of a much-loved Parisian landmark exemplifies the style of this quintessentially Parisian artist. |
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GUILLAUMIN Armand ( 1841 / 1927 )
The surroundings of Moret - sur - Loing around 1908 / 1910 .
Pastel signed lower right .
7,5 / 12,2 in .
Handwritten certificate of authenticity of the son André Guillaumin, on the back of the painting
" Environs de Moret / Loing , Epoque 1908 - 1910 , Pastel par mon père A. Guillaumin , Seine de sa maison , A. Guillaumin " " certifié authentique "
Ancient collection G. Cheneaux de Leyrètz .
Original frame .
Museums : Dijon , Epinal , Otterlo , Paris .
Armand Jean-Baptiste GUILLAUMIN
(Feb.16,1841, Paris - Jun.26,1927, Paris)
Armand Jean-Baptiste Guillaumin is the longest surviving Impressionist, the most loyal and probably the least known, Armand Jean-Baptiste Guillaumin was born in Paris of a family that had recently moved there from central France, where as a boy he spent much of his time. At the age of 15 he started working in his uncle's shop, while studying drawing in the evenings. In 1860 he obtained a job on the Paris-Orleans railway, continuing to oil paint in his spare time. In 1861 he entered the Académie Suisse and met Paul Cezanne and Camille Pissarro, with whom he was to remain on close terms for the rest of his life. Together they found employment painting blinds. They spent some time together at Pontoise, and Cézanne was greatly impressed by A view of the Seine that Guillaumin painted in (1871 Museum of Fine Arts, Boston). At this time all three were frequent visitors to Dr. Gachet's house at Auvers and it was there that Cézanne did a portrait-etching of Guillaumin. Cézanne also made a reproduced a oil painting by him of the Seine at Bercy (1876, Kunsthalle, Hamburg). One of the more impoverished members of his artistic circle, Guillaumin was obliged in 1872 to take a job with the department of bridges and roads.
Guillaumin exhibited at the Salon des Refusés and at most of the Impressionist exhibitions. Edgar Degas and Claude Monet were not particularly impressed by his works, which were marked by a passion for color that towards the end of his life, brought him close to the Fauves. His prospects improved when he was taken up by the art dealer Auguste Portier, who had commenced his career with Durand-Ruel and he was assured financial stability when he won 100,000 Francs in the National Lottery in 1891, he gave up his government job and painted full-time. He became friendly with Vincent Van Gogh, with whose work his own has certain likeness, View of Agay, (1895, Musée d'Orsay). The vigor of his brushwork and the obvious zest that informs his landscapes bring him close to Van Gogh and clearly influenced the young Henri Matisse. |
| | |  | | VAUTHIER Pierre ( 1845 / 1916 )
Paris Notre Dame and the boats on The Seine .
Watercolor signed lower right .
24,4 / 19,2 in
Original frame
Musees : Anvers , Bourges , Chambéry , Draguignan , Moulin , Paris : Petit Palais , Musée Carnavalet , Salon des Sciences à L'Hôtel de Ville de Paris .
Litterature : Bénézit , Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne , Les peintres paysagistes Français au 19ème siècle par Lydia Harambourg , Dictionnaire des peintres de Montmartre aux 19ème et 20ème siècles par André Roussard , " Paris à la belle époque au temps de Marcel Proust " par Marc Gaillard . |
| | |  | | CHAIGNEAU Paul ( XIX / XX )
The return of the shepherd and its herd the evening in the plain of Chailly .
Oil on canvas signed lower right .
18,1 / 21,6 in .
Original frame .
Chaigneau was one of the central figures in the second generation of Barbizon painters, Chaigneau combined rural subject matter inspired by his informal mentors Millet and Charles Jacque with the polished skills acquired in many years of academic training.
Chaigneau's ability at figure drawing and pictorial composition gave his Barbizon and Fontainebleau scenes a distinctive originality and recognizability. And his long association with the village of Barbizon (where he maintained a home for 50 years), as well as his efforts to make Barbizon art better known internationally in 1882, with Charles Jacque, Chaigneau founded the "Societe des artistes animaliers" distinguished Chaigneau as the principal representative of Barbizon art during the last quarter of the nineteenth-century.
Chaigneau was born on March 6, 1830 in the shipping center of Bordeaux, where he studied drawing under the successful academic painter Jean-Paul Alaux. In 1847, he moved to Paris to continue
studies with an uncle who was a marine painter; and in 1848 he submitted a landscape to the unjuried Salon (the Revolution of 1848 had suspended the normal Salon restrictions). In 1849, encouraged by
Jacques Brascassat, a family friend and successful animal painter, Chaigneau entered the prestigious Ecole des Beaux-Arts. He studied in the studio of Picot, one of the most traditional teachers at the
Ecole, and in the studios of Jules Coignet and Brascassat, both more forward-looking and skilled as landscapists.
Chaigneau seems to have focused on a career in landscape painting from the beginning, and he entered the quadrennial competitions for the Prix de Rome in Historical Landscape almost immediately after his acceptance at the Ecole — finishing a noteworthy 6th in 1849 and receiving Honorable Mention (runner-up or second place) in 1854. During these years, alongside his studies in the restrained, classical landscape style favored by the Coignet and others at the Ecole, Chaigneau also honed his skills as a realistic landscape artist, traveling throughout France to study a wide variety
of terrain — the Rhone valley around Lyon, the Normandy coast, the marshes of the southern Landes region, and the mountains of the Auvergne. At the Exposition Universelle of 1855 he exhibited a
landscape in the tradition of Theodore Rousseau, then the most highly acclaimed member of the Realist school of French landscape, entitled Marais dans les Landes. |
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GENIN LUCIEN ( 1894 / 1958 )
Paris Place of the Tertre animated .
Oil on canvas signed lower left Lucien Genin .
21,2 / 25,6 in
Musées : Monaco , Paris ( Musée d'art moderne ), Nogent sur Marne , Musée d'art moderne de Granville .
Literature : Bénézit , Lucien Genin l'artiste , l'oeuvre , La vie d'artiste AWD par Bertrand willot , Dictionnaire des peintres de Montmartre aux 19è et 20è siècles par André Roussard .
GENIN Lucien
Born in November 9th, 1894 at Rouen / Dead in 1953 at Paris.
Painter of townscapes, painter in the gouache, watercolorist, pastelliste, draftsman, postimpressionist.
Lucien Génin was at first a pupil of the School of Fine Arts of Rouen, then in 1919 Lucien Génin is allowed in the school of the Decorative arts of Paris. In 1932 Lucien Génin received a prize of the Art Institute of Chicago . On 1960 a personal exhibition of its works is organized in Paris.Lucien Génin painted in the oil and in the gouache.
Lucien Génin received a very complete formation, but developed a personal technique quite in spontaneity with an innocent glance on the simple things of the life. Lucien Génin mainly painted in Paris, but some views of Rouen, Lorient, Dinan, Marseille or Villefranche-sur-mer are to be noted . Lucien Génin totally specialized in the very wanted theme of the views of Paris.
Lucien Génin painted with paints touchs extremely fast and easy , what explains a very plentiful production. |
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ROZIER Dominique Hubert ( 1840 / 1901 )
Still life in fruits and in bottle of champagne.
Oil on canvas signed lower left.
18,7 / 24 in
Original frame
Museums : Bergues , Bucharest , Lille , Lyon , Montpelier , Pontoise , La Roche sur Yon , Tourcoing .
Literature : Bénézit - Dictionary of Small Masters of the Painting by Gérald Schurr and Pierre Cabanne - The Painters of flowers in France by Elisabeth Hardouin-Fugier and Etienne Grafe - The Painters of Still lives in France in 19th century by Elisabeth Hardouin-Fugier - Dictionary of the Painters in Montmartre in 19è and 20è centuries by André Roussard. |
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FRANK BOGGS ( 1855 / 1926 )
Paris the Seine Notre Dame St Louis island near tournelle bridge .
Oil on canvas signed lower left dated june 1898 and dedicaced to Mr de Sauniere .
13 / 18,2 in
Original frame
Frank BOGGS (Frank Myers Boggs)
1855 - 1926 (American - naturalized French and active in France)
Painter of urban landscape, marine - watercolorist - engraver - draftsman .
In Paris, he was a pupil to the School of Fine Arts then exposed regularly to the exhibition of the French Artists - In 1885, he exposed in New York and in Chicago in 1893 beside the American impressionists.
Lover of Paris, its quays and its monuments, attached to the edges of the Seine everything had length of its way - Insatiable admirer of the French harbours, he multiplied the views of these sites in solidly built paintings - in skies swep by clouds, often flatware. - so F. Boggs painted in Normandy, in Brittany, in Holland, in England and in Venice - Its motives for preference are rivers and
The harbours the aquatic element of which allows him to suggest the multiple nuances of the atmosphere.
He also became famous with his very estimated watercolors- |
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FRANK BOGGS ( 1855 / 1926 )
Paris the Conciergerie view of the bridge in the exchange .
Oil on canvas signed lower left .
21,6 / 15 in
Door in the back of the frame the number 354.
Original frame
Frank BOGGS (Frank Myers Boggs)
1855 - 1926 (American - naturalized French and active in France)
Painter of urban landscape, marine - watercolorist - engraver - draftsman .
In Paris, he was a pupil to the School of Fine Arts then exposed regularly to the exhibition of the French Artists - In 1885, he exposed in New York and in Chicago in 1893 beside the American impressionists.
Lover of Paris, its quays and its monuments, attached to the edges of the Seine everything had length of its way - Insatiable admirer of the French harbours, he multiplied the views of these sites in solidly built paintings - in skies swep by clouds, often flatware. - so F. Boggs painted in Normandy, in Brittany, in Holland, in England and in Venice - Its motives for preference are rivers and
The harbours the aquatic element of which allows him to suggest the multiple nuances of the atmosphere.
He also became famous with his very estimated watercolors- |
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BARNOIN Henri Alphonse ( 1882 / 1940 )
Fishing return to Concarneau .
Pastel , gouache and crayons de couleurs .
21,1 / 17,6 in
Musées : Concarneau - Le Faouet - Lorient - Quimper .
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - La merveilleuse Bretagne des peintres par Bernard Frelaut - Les peintres de Concarneau par Henri Belbeoch - Les peintres de Pont Aven par André Cariou - Henri Barnoin par Jean-Marc Michaud .
BARNOIN Henri Alphonse
Born in 1882 in Paris Dead in 1935 Painter of compositions to characters, landscapes, urban landscape, marine, pastelliste, postimpressionist.
He was a pupil of A of Richemont, Luc-Olivier Merson, but it is of his second master Emile Dameron that he considers his taste as the trivial landscapes that he animates of peasant crowds, fishermen and boats, rocky coast and processions, landscapes, marine and scenes of the Breton life, it is all the directory of folk Brittany that feeds its work endowed with a well assured technique which is the faithful mirror of the fervour of the painter for the Breton everyday life. Exposing to the Lounge of the French Artists from 1909, he received an honourable mention in 1909, a mention of silver there in 1921, becomes member, received a golden medal in 1935 and was classified outside the competition in 1939. Painter of landscapes, he was a prize-winner of the Prize of the friendly association of the French landscape painters. |
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HERVE JULES RENE ( 1887 / 1981 )
Paris , the booksellers beside Notre Dame .
Oil on canvas signed lower left . Circa 1950
35,5 / 29,5 in
Original frame
Musées : Annecy , Calais , Casablanca , Chicago , Dijon , Langres , Luxeuil-Les-Bains , Montreal , New York , Paris , Saint-Etienne , Tourcoing , Troyes .
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - "Jules René Hervé un maître enchanteur de la peinture du 20ème siècle" by Bernard Masson - "Le haut du pavé de Langres" by Gérard Gueniot - Le peintre et l'animal en France au 19ème siècle by Elisabeth Hardouin-Fugier -
Jules René HERVE born at Langres ( Haute Marne) in 1887 Dead at Langres in 1981 .
Painter of typical scenes,figures, portraits, landscapes.
Pupil of Fernand Cormon and Jules Adler, Jules René Hervé settles down in Paris and begins to expose to the show of the French Artists in 1910, Jules René Hervé receives a silver medal in 1914 and a golden medal there in 1925.
Then Jules René Hervé shares his life between Paris and his home town the humble and picturesque events, the portraits of austere sound of which he paints, of a light, expert brush in small lively brightness on grey or ochre skillfully distributed, society in the monotonous and felted existence - But Jules René Hervé knows how to restore as well the full of life atmosphere of the Parisian life and his monuments or the ballerinas to the foyer of the Opera -
Of its finely observed compositions emanate delicate feelings - Appreciated by the French and foreign amateurs, Jules René Hervé " is devoted in his art throughout its life -
Jules Hervé is considered as " the last one of the impressionists " |
| | |  | | GUERY ARMAND ( 1850 / 1912 )
Barge in the canal .
Oil on canvas signed and dated 1891 lower right
13 / 18,2 in
Original frame
Musées : Chateau-Thierry , Nice , Reims .
Armand GUERY
Born in 1850 in Reims (Marne)
Death in 1912 in Gueux (Marne)
Painter of scenes of kind, animated landscapes, landscapes of water - Pastelliste -
Pupil of Rigon, Armand GUERY painted mainly landscapes which stage views of the champenoise campaign and the Ile-de-France - he exposed to the Show of the French Artists in Paris. Armand GUERY obtains a medal of the third class in 1891, and a second-class medal in 1894. Armand GUERY also obtains an honourable mention in 1900 in the United States. |
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GENIN LUCIEN ( 1894 / 1958 )
Paris Place of the Madeleine animated .
Oil on canvas signed lower left Lucien Genin .
23,6 / 29 in
Musées : Monaco , Paris ( Musée d'art moderne ), Nogent sur Marne , Musée d'art moderne de Granville .
Literature : Bénézit , Lucien Genin l'artiste , l'oeuvre , La vie d'artiste AWD par Bertrand willot , Dictionnaire des peintres de Montmartre aux 19è et 20è siècles par André Roussard .
GENIN Lucien
Born in November 9th, 1894 at Rouen / Dead in 1953 at Paris.
Painter of townscapes, painter in the gouache, watercolorist, pastelliste, draftsman, postimpressionist.
Lucien Génin was at first a pupil of the School of Fine Arts of Rouen, then in 1919 Lucien Génin is allowed in the school of the Decorative arts of Paris. In 1932 Lucien Génin received a prize of the Art Institute of Chicago . On 1960 a personal exhibition of its works is organized in Paris.Lucien Génin painted in the oil and in the gouache.
Lucien Génin received a very complete formation, but developed a personal technique quite in spontaneity with an innocent glance on the simple things of the life. Lucien Génin mainly painted in Paris, but some views of Rouen, Lorient, Dinan, Marseille or Villefranche-sur-mer are to be noted . Lucien Génin totally specialized in the very wanted theme of the views of Paris.
Lucien Génin painted with paints touchs extremely fast and easy , what explains a very plentiful production. |
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STEIN Georges ( XIXè / XXè )
Paris The flower market at The Conciergerie .
Oil on canvas signed and situated Paris lower left .
10,9 / 16,4 in
Musées : Carnavalet ( Paris )
Literature : Bénézit - " Paris à la belle époque au temps de Marcel Proust " par Marc Gaillard .
Georges STEIN
Born in 1870 - Death in 1955 - Frenchman
Painter of scenes of genre, animated landscapes, landscapes, townscapes - painter in the gouache - watercolorist - draftsman -
Contemporary of Cortès, Béraud, Galien Laloue, Georges STEIN painted townscapes, in the oil or in the watercolor: London, Monte Carlo, and especially the typical Paris - Georges STEIN so realized numerous views of the flower market of Madeleine, that of the Island of the City , as well as the gardens of the Luxembourg, the Opera, the Moulin Rouge, Notre-Dame, Folies Bergère, the Big Boulevards of Paris , etc. |
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KVAPIL CHARLES ( 1884 / 1957 )
Bunch of flowers in a vase .
Oil on canvas signed lower right
18,2 / 24 in
Original frame
Musées : Amsterdam , Chambery , Le Havre , Paris ( Musée D'art Moderne ) , Rouen , Saint-Etienne , Tunis .
Charles KVAPIL
Born on November 1st, 1884 in Antwerp (Belgium), Death in 1957 in Paris
Painter of compositions with figures , portraits, nudes, landscapes, still lives, flowers and fruits, pastelliste, draftsman -
Pupil of the Academy of Arts of Antwerp, Charles KVAPIL had difficult debuts - It is in 1920, that he shows himself to the Parisian public by exposing to the Show of the Independents - Charles KVAPIL uses models to the studio, the swimmers or the undressed girls introduced into groupings of figures , like Courbet and impressionists at their beginning -
Charles KVAPIL disdained neither the landscape, nor the still life - P. Béran, in the study which it dedicates him , praises the wealth of its material and all that its art owes to the joy of living- |
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MAILLAUD Fernand , Guillaume Eugène Florian dit ( 1862 / 1948 )
Walk has Issoudun in 1915 .
Oil on canvas signed lower right situated Issoudun and dated 1915 .
8,7 / 10,6 in
Original frame .
Musées : Bourges - Châteauroux - Gueret - Montpellier - Paris ( Musée d'Art Moderne - Musée d'Orsay ) -
Literature : Bénézit - Dictionnaire des petits maîtres de la peinture par Gérald Schurr et Pierre Cabanne - Les peintres de la Creuse et de Gargilesse de 1850 à 1950 par Christophe Ramex -
MAILLAUD Fernand
Born on December 12th, 1862 / Death on August 30th, 1948
Painter of landscapes, decorator.
After a peasant childhood, Fernand Maillaud joins in Paris in Humbert's studios and Wallet. From 1891 Fernand MAILLAUD exposes to the Show within the synthetic group formed by Guauguin. His landscapes of childhood miss him , then he spends his summers at Fresselines in the Creuse by painting daily scenes and works of fields. To live Fernand MAILLAUD make furniture, his wife of the embroidery, what gives them the idea to create a workshop to Issoudin; their tapestries will be exposed to the Show. But Fernand MAILLAUD's big passion remains the nature and the rural world. He uses an impressionistic technique retaining that the main part, and painted the traditional themes of the ground, the fairs, the markets, the events of every day in their rustic simplicity. In 1924 Fernand MAILLAUD settles in Gueret, visits the Creuse and the Corrèze, but spends his winters in Provence, visits Spain, Algeria, Morocco where from he brings back landscapes where Bedouin look like by their attitudes the farmers of the Creuse. Fernand MAILLAUD exposes to the various shows, at Georges Petit, Durand-Ruel, Bernheim Jeune, Devambez, and participates in several big international exhibitions . In spite of his successes Fernand MAILLAUD will always remain the painter of his country which he exploits with love. |
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BRISSOT DE WARVILLE Félix ( 1818 / 1892 )
The herd of the village at the puddle .
Oil on canvas signed lower left .
10,9 / 16,1 in
Original frame .
Museum : Alger , Amiens , Boulogne-sur-mer , Chartres , Compiègne , Londres , Marseille , Mulhouse , Reims , Rouen , St-Etienne , Sens , Strasbourg , Troyes . |
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Pissarro Paul Emile ( 1884 / 1972 )
Oil on canvas signed lower right and situated on the back " St Leonard of Wood in the Sarthe "
15 / 18,1 in
Original frame
Literature: Bénézit, Dictionary of the painters in Montmartre by André Roussard
Paul Emile PISSARRO
Born on August 22nd, 1884 / Death in 1972 .
Painter of faces , nudes, scenes and animated landscapes, landscapes, landscapes of water, marine, watercolorist, pastelliste.
Last son of Camille Pissarro, been born in the house of Eragny which the family occupied since 1872, he becomes naturally his pupil, and followed him during his movements in Paris region and in Normandy. In the death of his father in 1903, he abandoned the painting unwillingly and becomes a mechanic in the automobile assuring him livelihood in which he did not nevertheless settle. In spite of the difficulties, he took back the paternal material , and it was from Claude Monet and Paul Cézanne that he asked advice. By 1935 Raoul Dufy took him in the Calvados, decided to settle down to Clécy whom he will not leave any more. Paul Emile Pissarro exposed to the Exhibition of the Independents, to the Autumn Salon and to the Exhibition of the Tuileries. He had an important production taking back mainly the motives expensive to his father. |
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GEORGES MICHEL ( 1763 / 1843 )
The windmills at Montmartre .
Oil on canvas . Circa after 1830
23,2 / 28,7 in
Original frame
Musées : Amiens , Bayeux , Besancon , Beziers , Brest , Carpentras , Chambery , Dijon , Hanovre , La Haye , Le Havre , Lille , Lyon , Marseille , Montreal , Nantes , New York ( Metropolitan Museum ) , Paris ( Musée d'Orsay , Musée du louvre , Musée Carnavalet , Musée du Petit Palais ) , Pau , Pontoise , Reims , Rennes , Sceaux , Strasbourg . |
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Vous êtes un passionné d´arts, découvrez PARIS et ses peintres :
Paris est l´une des villes au monde qui a le plus attiré les peintres. Mais la nature et les raisons de cet intérêt ont évolué avec l´histoire de la ville.
Paris est une mosaïque de quartiers. Les peintres en ont représenté les sites les plus séduisants et les
monuments prestigieux en
s´appropriant les lieux pour en nourrir leur imaginaire.
Découvrez également nos Bronzes authentiques :
Au début, il y a l´argile que la main pétrit, que l´outil sillonne. Puis, par le truchement du moule, le pouvoir du feu, la fragile esquisse va se figer dans l´alliage le plus dur et le plus résistant qui soit : le bronze...
Et bien sûr nos Caves à liqueurs :
Petits chefs-d´oeuvre de minutie et d´ingéniosité qui n´ont pas toujours été perçus comme de simples
objets décoratifs.
A la fin du 18ème sièmecle les premières caves à liqueurs permettaient de faire passer le temps agréablement durant les longs voyages en carrosse...
Venez Partager votre passion avec nous :
Ecrivez nous
ou venez nous visitez au :
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c´est très simple
Au coeur des puces, Le marché Biron est le rendez-vous unique des chineurs.
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En voiture : Prendre la sortie
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