Objects of art
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ARMAN Sculpture in bronze, 20th century, signed Violin coupe II Homage to Picasso modern Art
€11,800.00ARMAN ( 1928 / 2005 )Violin cut II, Homage to Picasso.Bronze, patinated brown, signed on base, foundry Bocquel, numbered 84 / 100 on the back on the base. Height : 64 cm Width : 20...ARMAN ( 1928 / 2005 )Violin cut II, Homage to Picasso.Bronze, patinated brown, signed on base, foundry Bocquel, numbered 84 / 100 on the back on the base.
Height : 64 cm
Width : 20 cm
Depth : 16.5 cm
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CHANDELIER OLD DUTCH STYLE, 20th CENTURY METAL CHROME FIXTURE WITH 16 LIGHTS
€3,800.00Chandelier Dutch in chrome metal, 16 arms of light on two levels, the shaft being surmounted by a double-headed eagle.Work of the 1930's 17th century style Height : 100 cmChandelier Dutch in chrome metal, 16 arms of light on two levels, the shaft being surmounted by a double-headed eagle.Work of the 1930's 17th century style
Height : 100 cm
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SCULPTURE 20th CENTURY BRONZE BRASS AND GLASS STACK a COUPLE OF DANCERS
€5,800.00Couple of dancers .Bronze / Brass / Glass pilé76 / 60 cm Width 60 cm Height 76 cmCouple of dancers .Bronze / Brass / Glass pilé76 / 60 cm
Width 60 cm
Height 76 cm
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Chandelier pressed glass opalescent 30s / 40
€2,000.00Chandelier pressed glass opalescent, model says "ice cubes".Work of the 1930s / 1940s. Height : 62 cm Diameter : 36 cmChandelier pressed glass opalescent, model says "ice cubes".Work of the 1930s / 1940s.
Height : 62 cm
Diameter : 36 cm
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mportant lustre Empire 18 lights in chiselled and gilded bronze
€28,000.00Important chandelier Empire 18 lights in chiselled and gilded bronze.Work of the early 19th century Empire period.From : Chamber of commerce, industry, trade, handicraft and agriculture of...Important chandelier Empire 18 lights in chiselled and gilded bronze.Work of the early 19th century Empire period.From : Chamber of commerce, industry, trade, handicraft and agriculture of Normandy. Hotel consulaire of Dieppe.
Height : 125 cm
Diameter : 70 cm
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Mirror rococo style gilded wood 19th
€9,800.00Mirror, rocaille carved and gilded wood. Work of the first half of the 19th century.Provenance : Hotel Place Stanislas in Nancy. Height : 115 cm Width : 90 cmMirror, rocaille carved and gilded wood. Work of the first half of the 19th century.Provenance : Hotel Place Stanislas in Nancy.
Height : 115 cm
Width : 90 cm
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ANTIQUE TABLE ART DECO MARBLE GREEN TURTLE
€4,400.00Table old Art Deco based on four wrought iron legs, covered with a marble green turtle ( semiprecious stone ) 150 / 90 / 49 cmTable old Art Deco based on four wrought iron legs, covered with a marble green turtle ( semiprecious stone ) 150 / 90 / 49 cm
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Table for three violins and bronze crushed glass
€8,800.00Table for three violins in bronze and crushed glass.Glass tabletop.Unique piece.Height : 77 cmDiamètre : 115 cm, Height 77 cm, Diameter 115 cmTable for three violins in bronze and crushed glass.Glass tabletop.Unique piece.Height : 77 cmDiamètre : 115 cm, Height 77 cm, Diameter 115 cm
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Pair of profiles in ivory in high relief, work English of the 17th century
€2,600.00Pair of profiles in ivory in high relief , representing two architects of the 17th century , Inigo Jones ( 1573-1652) Working English. 17 sows century. Pair of profiles in ivory in high...Pair of profiles in ivory in high relief , representing two architects of the 17th century , Inigo Jones ( 1573-1652) Working English. 17 sows century.
Pair of profiles in ivory in high relief , representing two architects of the 17th century , Inigo Jones ( 1573-1652) Working English. 17 sows century.
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Adam and Eve - Germany at the beginning of the Sixteenth century
€8,500.00The author undoubtedly knew the versions by Albrecht Dürer (1471-1528) and Lucas Cranach the Elder (1472-1553) who have contributed to the fame of this subject is ambivalent, at once moralising...The author undoubtedly knew the versions by Albrecht Dürer (1471-1528) and Lucas Cranach the Elder (1472-1553) who have contributed to the fame of this subject is ambivalent, at once moralising and that also draws the viewer's gaze on the nakedness of the characters.
These early representations of the nude in the North of the Alps, inspired by the circles of the Humanists of Wittenberg, were intended both to seduce and to warn the viewer.
