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19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)
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  • 19th century French painting - Barbizon School - Herd on the path - Oil on panel signed (GUILLEMER Ernest)

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    GUILLEMER Ernest (1839 / 1913)

    Herd on the way.

    Oil on panel signed lower right.

    Dimensions : Width : 22.5in (57cm) X Height : 12.2in (31cm)

    Certificate of authenticity.

    Quantity
    Last items in stock

    GUILLEMER Ernest (1839 / 1913)

    Herd on the way.

    Oil on panel signed lower right.

    Dimensions : Width : 22.5in (57cm) X Height : 12.2in (31cm)

    Certificate of authenticity.

    Data sheet

    Width
    57 cm / 22.5 in
    Height
    31 cm / 12.2 in

    Specific References

    Biography

    • GUILLEMER Ernest (1839 / 1913)

      GUILLEMER Ernest (1839 / 1913)

      Landscape painter.

      E. Guillemer brushes in a shimmering, enameled palette that catches the light well from the views of the Normandy countryside near Dieppe.

      He also works on the banks of the Seine.

      But it is above all the landscapes of the Forest of Fontainebleau that he prefers.

      He draws his motifs from clearings, majestic trees or ponds sheltered by tall forests.

      He exhibited regularly at the salon from 1864 to 1890.

      Museums: Brest, Tourcoing.